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Sammy Lee

b. 26 Might 1890, NEW YORK, NY, USA, d. 30 March 1968, Woodland Hillsides, NY, USA. After a limited period as an professional, Lee became a respected choreographer and musical movie director on Broadway. He made an appearance on stage as Pietro in Rudolph Friml and Otto Harbach’s The Firefly (1912), performing ‘The Most recent Thing From Paris’ with Ruby Norton aswell as performing some ensemble quantities. Through the early 20s he choreographed and in addition was in charge of the musical staging of many shows, included in this The Gingham Gal (1922), Earl Carroll Vanities (1923, 1924), Special Small Devil and Female, Be Great! (both 1924), and Inform Me Even more (1925). Also in 1925, a active and successful calendar year for Lee, he staged No, No, Nanette (which starred Louise Groody in the name function), The Cocoanuts (offering the Marx Brothers), and Tip-Toes (starring Queenie Smith and Allen Kearns, and which also acquired Jeanette MacDonald in ensemble). In the past due 20s, Lee taken care of the musical staging of Queen Great, Oh, Kay!, and choreographed Betsy, with Belle Baker in the name function (all 1926) and Rio Rita (1927). He aimed Ziegfeld Follies Of 1927, choreographed Yes, Yes, Yvette and Present Sail boat (both 1927), and created Cross My Center (1928). In the first 30s he choreographed Singin’ The Blues (1931, a play with music), and was musical movie director of the 1932 revival of Present Sail boat. Among Lee’s function in Hollywood, he choreographed, in cooperation with Eddie Prinz, Fred Astaire’s film debut, Dance Lady (1933).

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