Sam Theard (aka Lovin’ Sam Theard) served the majority of his lengthy professional lifestyle as an acting professional along with a comedian in theaters, films, and television. Those that study and focus on old-time hokum, filthy blues, and novelty golf swing information associate his name with delectable ditties like “She Skuffles That Ruff,” “You Can’t Obtain That Stuff FORGET ABOUT,” “Rubbin’ on That Darned Aged Thing,” and “I Question Who’s Boogiein’ My Woogie Right now.” Within the glorious info glut from the 21st hundred years, Sam Theard may very well be appreciated and referenced occasionally as the guy who composed “(I’M GOING TO BE Glad IF YOU ARE Inactive) You Rascal You,” a rambunctious amount made well-known by Louis Armstrong. Most of all, any internet search engine equipped along with his name will uncover multiple personal references to his magnum opus, “Allow Good Times Move,” that was among Louis Jordan’s main hits and a principal staple of tempo & blues and early rock and roll & roll. Blessed in New Orleans, LA on Oct 10, 1904, he started dealing with a circus in 1923 and spent a long time on the highway, executing in theaters and nightclubs. The majority of his recordings had been manufactured in or near Chicago. In 1929 and 1930 he documented as Lovin’ Sam from Down in ‘Bam for the Brunswick record firm under the guidance of A&R movie director Mayo Williams. Concentrating almost solely upon individual sexuality, Theard sang bawdily funny songs supported by guitarist Tampa Crimson and pianists Cow Cow Davenport and H. Benton Overstreet. Following a short dalliance using the Gennett label in 1930 utilizing the name Sam Tarpley, Theard involved in a little bit of label hopping. He trim information for Decca in 1934 (supported by pianist Albert Ammons), for Vocalion in 1937 and Victor’s spending budget series Bluebird series in 1938. His tone of voice may also be noticed on records released under the brands of pianist Tiny Parham and trumpeter Sizzling hot Lips Web page. Theard was active being a comedian in Harlem through the 1930s and ’40s, frequently treading the planks on the Apollo Movie theater alongside Dusty Fletcher, Pigmeat Markham, and Jackie “Mothers” Mabley. It had been during this time period that he started contacting himself Spo-Dee-O-Dee. While gigging in Chicago in 1942 he and something Fleecie Moore developed a ditty known as “Allow Good Times Move” and distributed it with performing saxophonist Louis Jordan who have scored a massive strike along with his Tympany Five documenting from it in 1946. Theard, who is able to also be observed in Jordan’s film Caldonia, got a tiny minor return towards the finish of his existence after getting in Hollywood in 1976, occasionally reverting to his older stage name Spo-Dee-O-Dee. He goofed with Redd Fox for the group of Sanford & Boy, teamed up with Foxx and Pearl Bailey in Norman, IS THE FACT THAT You?, and made an appearance in Little Home for the Prairie. Theard’s encounter became marginally familiar to viewers who got no idea who he was or what his past achievements amounted to. He made an appearance as Cripple in Richard Pryor’s Which Method is Up? so when the Wino within an all-black remake of Cinderella known as Cindy; as Aged Second with Jackie Gleason and Karl Malden within the Sting II, so when the Left Hands of God in Motown’s biographical salute to Scott Joplin. Accomplished, flexible, and important but under no circumstances accorded the type of reputation that he deserved, Sam Theard passed on at St. Vincent INFIRMARY in LA, California on Dec 7, 1982.