Sam Collins

Among the earliest era of blues performers, Collins developed his design in South Mississippi (instead of the Delta). His documenting debut one (“The Jail Home Blues,” 1927) predated those of renowned Mississippians such as for example Charley Patton and Tommy Johnson and was marketed as “Crying Sam Collins and his Git-Fiddle.” Collins didn’t become a main name in blues — actually his later information appeared under a number of different pseudonyms, especially the name Jim Foster — but his rural bottleneck electric guitar pieces were one of the primary to become put together on LP once the country-blues reissue period was just starting. Sam Charters had written within the Bluesmen: “Although Collins had not been among the stylistic innovators inside the Mississippi blues idiom, he was more than enough section of it that, in blues like ‘Signifying Blues’ and ‘Decrease Mama Decrease,’ he previously a number of the strength from the Mississippi music at its most innovative level.”