Besides being among the initial jazz music artists to convert to Islam and modification his name (1947), Sahib Shihab was also among the earliest boppers to utilize the flute. But he was also a fluent soloist in the alto, aswell as the baritone sax, the last mentioned being the device with which he became most regularly associated. Shihab initial worked professionally using the Luther Henderson music group at age 13 while still learning with Elmer Snowden. At 16, he went to the Boston Conservatory (1941-1942) and later on worked well as the business lead alto in the 1944-1945 Fletcher Henderson music group, billed as Eddie Gregory. After his spiritual conversion, he dropped in with the first bop movement, documenting several now-famous edges on alto with Thelonious Monk for Blue Notice in 1947 and 1951, and using Artwork Blakey in 1949-1950 as well as the Tadd Dameron music group in 1949. Pursuing some empty areas where he previously to work unusual jobs for a full time income, Shihab used Dizzy Gillespie in 1951-1952, Illinois Jacquet in 1952-1955, as well as the Oscar Pettiford big music group in 1957. After arriving in European countries with Quincy Jones’ big music group in 1959-1960, he continued to be there until 1986 (mainly in Copenhagen), aside from a long LA interlude (1973-1976). While on the Continent, he performed in the Clarke-Boland big music group for nearly ten years (1963-1972); he could be noticed applying advanced vocal results to his appealing flute focus on the superb Clarke-Boland Big Band LP (Atlantic, 1963). He documented only a small number of albums like a leader on the years for Savoy, Argo, Atlantic, and Chess; a 1963 live time in Copenhagen is certainly available on Dark Lion.