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Saccharine Trust

Although Greg Ginn’s record label SST was, in early stages, from the angry, overamped guitar rant of SoCal hardcore (a few of which came thanks to Ginn’s very own band Dark Flag), SST was also recording bands that pushed the limits of hardcore. Rings just like the Minutemen, General Congress Of, and specifically Saccharine Trust gleefully tossed in chunks of ’70s intensifying rock and roll, avant-garde jazz, and cool kicks and pops right into a stew currently percolating with large(ish) steel riffing, shouted vocals, and severe volume. Not absolutely all from the boundary-pushing that Saccharine Trust do was great (actually, some of it really is downright dreadful), however when they held their propensity toward grandiose self-indulgence in balance, these were a fairly formidable proposition, specifically live, and documented at least one essential record, 1986’s We Became Snakes. Shaped in the first ’80s by Joaquin (aka Jack port) Brewer and guitarist Joe Baiza, Saccharine Trust metamorphosed from a dissonant, loud, anti-rock quartet right into a even more sophisticated, but nonetheless jagged and loud rock-jazz band. Often, the band’s “tracks” had been semi- or wholly improvised utilizing a simple riff or basic drum design for assistance, rapidy growing into uncharted place. Not the main music group to emerge from LA in the first ’80s, Saccharine Trust is certainly interesting for incorporating mixed textural elements right into a genre that was described by quantity and simpleness. This band got risks that lots of of their SoCal brethren could not have imagined taking. This, nevertheless, will not make Saccharine Trust much better than their peers, basically different, and a bit more intriguing. By the first ’90s, Brewer began his own music group called, big shock, the Jack port Brewer Music group. Joe Baiza shaped the great, funky, and exciting General Congress Of.

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