Pianist Russ Freeman — never to end up being confused using the guitarist/innovator from the Rippingtons — was better referred to as a sideman when compared to a innovator, but he was a significant collaborator with both Chet Baker and Shelly Manne, leaving his tag on two of the very most celebrated bodies of function in West Coastline great jazz. Classically qualified as a kid, Freeman began producing a name for himself around the Western Coast jazz picture in the middle-’40s, playing mainly with bebop-oriented organizations. During this time period, he caused Howard McGhee, Dexter Gordon, Charlie Parker, Artwork Pepper, Shorty Rogers, and Wardell Grey, amongst others. Freeman became a member of Chet Baker’s fresh quartet in 1953, and their chemistry was instant as Freeman became possibly the most sympathetic accompanist the trumpeter/vocalist ever endured; his tasteful, well-formulated initial compositions also match Baker’s design well and “The Blowing wind” became something of a typical. Their cooperation spanned 1953-1954 and 1956; in 1955, Freeman started another rewarding association with drummer Shelly Manne, which lasted until 1966. The majority of his infrequent periods as a head were recorded through the mid-’50s, and he devoted additional time to various other aspects of the business enterprise: supervising recordings, dealing with film composers like Johnny Mandel and Manne associate Andre Previn, developing his own submitting business in 1962, and functioning being a musical movie director for many nightclubs and Television shows. After departing Manne’s group, Freeman’s jazz recordings became fewer and fewer; there have been occasional performances with old Western world Coast cohorts until the first ’80s, and Freeman successfully retired.