It’s possible that Giovanelli’s instructor was Palestrina though it really is doubted. The paperwork of his profession is not obvious until 1583 when he found its way to Rome. By 1591 Giovanelli acceded towards the master from the chapel of S Luigi dei Francesi and offered service in the Collegio Germanico. He was operating with this same placement to Duke Giovanni Angelo of Altaemps as well as the chapel Cappella Giulia at St Peter’s. Providing in the Sistine Chapel, Giovanelli was vocalist, secretary, treasurer, and finally master from the chapel from the Sistine choir. The corpus of his books included madrigals, people, and motets. The lyric and laid back texts, obvious textures, high “norms” for the musical range, brief motifs and text messages clarified by usage of contrasting fast and gradual rhythms, were features of Giovanelli’s madrigals. He utilized eight and twelve tone of voice configurations proceeding from gradual actions to fast homophonic passages, coupled with emphatic rhythms in his preparations of public and motets.