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The short-lived Rosebud has sometimes been classified as an outgrowth from the duo of Judy Henske and Jerry Yester, who did one album, the underrated cult classic Farewell Aldebaran, in 1969. Actually, although Henske and Yester had been both essential performers and songwriters in Rosebud, Rosebud was a completely individual entity from Henske and Yester. It had been in fact an organization comprising Henske, Yester, keyboardist/vocalist Craig Doerge, drummer/vocalist John Seiter (who was simply in Spanky & Our Gang as well as the Turtles), and bassist David Vaught. Henske and Yester do write six from the ten tunes on their single recording, Rosebud (1971); Judy Henske was the most prominent vocalist (as she must have been, since she was the very best and most unique); and vocalist and multi-instrumentalist Jerry Yester created. But other performers also required lead and backup vocals around the LP, and Doerge and Henske co-wrote the rest of the four music. The misunderstandings about whether Rosebud was an organization was perpetuated from the designer billing, around the cover and backbone, to “Jerry Yester, Judy Henske, Craig Doerge, John Seiter” (Vaught, a complete person in the music group, was remaining off as he became a member of after the recording had been began). Henske-Yester’s Farewell Aldebaran was a nice, often terrific mixture of psychedelia, folk-rock, artwork song, and plain quirkiness, offering Henske-Yester’s melodic songwriting, Henske’s flexible and effective vocals, and Yester’s imaginative creation. Some of the tunes on Rosebud are comparable extensions from the Farewell Aldebaran’s audio, but it will be a mistake to see this being a follow-up. There’s a lot more of a typical easygoing L.A. early-’70s rock and roll feel to both songwriting and creation, aswell as an intermittent country-rock contact. These music are a lot more common fare than what Henske and Yester got crafted independently, and even though Henske once again demonstrates her vocal quality, those tracks which she will not sing business lead are again a lot more common for her reduction. Perhaps it could are actually an improved idea to create her the prominent or exclusive business lead singer, but Rosebud appears to have been consciously conceived of as an organization effort, not really Henske or Henske-Yester with back-up musicians. Any possibility Rosebud may have had to produce a industrial influence was scuttled if they broke up soon after completing the record. This happened in tandem using the break up of Henske and Yester’s relationship; to make issues more uncomfortable, Henske wedded Craig Doerge quickly afterward. Although Henske retired through the music business for pretty much 30 years following the Rosebud record, Yester continuing to are a manufacturer (especially for Tom Waits) and musician with reunion lineups from the Lovin’ Spoonful and the present day Folk Quartet, while Doerge became among the best session music artists in LA.

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