Manager/manufacturer Robert Stigwood leveraged his participation with key Uk pop and rock and roll stars from the ’60s right into a group of music-oriented films within the ’70s. At his elevation, his projects attained a synergy where recording performers he maintained performed the music for and occasionally appeared in films he produced, as well as the soundtracks that were released by himself record label. Stigwood emigrated towards the U.K. in the later ’50s and founded a theatrical administration agency. A customer of his, tv professional John Leyton, gained a recording agreement. Cast being a pop vocalist on the tv screen series Harpers, Western world One, he sang “Johnny Keep in mind Me” on the present, and it shot to number 1 on the United kingdom graphs in 1961. Thereafter, Stigwood begun to concentrate on music customers. By 1966, over time of bankruptcy, he previously latched onto his two primary customers, Eric Clapton, after that using the music group Cream, as well as the Bee Gees, also Australian immigrants. Both became extremely effective in the past due ’60s. (Stigwood took creation credits on the early information.) By the first ’70s, the Bee Gees acquired dropped into disfavor and Clapton was inactive because of drug make use of. Stigwood considered film work, making the 1973 film edition of Andrew Lloyd Webber and Tim Rice’s idea album-turned-musical Jesus Christ Superstar, and he founded RSO Information (brief for Robert Stigwood Company), to which he agreed upon Clapton as well as the Bee Gees. He were able to resuscitate the professions of both performers. Clapton got off medications and documented 461 Sea Boulevard, which topped the graphs alongside its one, “I Shot the Sheriff,” in 1974. As well as the Bee Gees recast themselves as falsetto-singing disco performers with the main strike “Jive Talkin'” in 1975. Exactly the same yr, Stigwood created a movie edition from the Who’s rock and roll opera Tommy, cast mainly with rock and roll celebrities, notably Clapton, Elton John, and Tina Turner; it had been a package office hit, as well as the soundtrack recording just skipped topping the graphs. Stigwood’s next task was probably the most effective of his profession. In nov 1977, he created the film Sunday Night time Fever, which produced a film celebrity out of tv acting professional John Travolta, convincing the Bee Gees to contribute many songs and filling up the rest of the double-LP soundtrack with disco materials. The Bee Gees obtained three number 1 hits through the recording, which offered over ten million copies within the U.S., with world-wide sales approximated at 25 million. Stigwood quickly adopted in the summertime of 1978 with Grease, a film edition from the Broadway musical starring Travolta and Australian pop vocalist Olivia Newton-John. It had been another smash in the package office with lots one multi-platinum soundtrack recording that threw off several major hits, included in this the title music, sung by Frankie Valli, which have been created for the film from the Bee Gees’ Barry Gibb. Stigwood attempted a head wear trick by pursuing within months having a film influenced from the Beatles recording Sgt. Pepper’s Unhappy Hearts Club Music group, starring Peter Frampton as well as the Bee Gees. Although soundtrack recording was a million-seller that threw off several strike singles, the film flopped in the container office, presaging an interval when following Stigwood movies with much music content material — the brand new wave-oriented Instances Square (1980), Grease 2 (1982), and Remaining Alive (1983) (a sequel to Sunday Night time Fever) also will be unsuccessful. From the middle-’80s, RSO got shuttered and its own catalog have been offered off, while Stigwood was providing his focus on television broadcasting, significantly less noticeable than he previously experienced the 1970s. He became more vigorous in the next half of the 1990s, creating the long-awaited film edition of another Lloyd Webber/Grain idea album-turned-stage musical, Evita (1996), and becoming associated with the stage edition of Saturday Night time Fever (1999). Robert Stigwood passed away on January 4, 2016 at age 81.