Robert Normandeau is Quebec’s leading electro-acoustic composer after Francis Dhomont. One era more youthful than his instructor, he required his best methods and forced them further in to the “movie theater for the hearing.” About climates, theatre, and narrative, his functions catch the listener’s interest, either in concert configurations or through his stable result of albums. Created March 11, 1955, in Quebec Town, Normandeau adopted the academic path to musique concrète: he acquired his bachelor’s level from your Universite Laval (Quebec) in 1984, his master’s level in the Universite de Montreal in 1988, as well as the 1st Ph.D. level distributed by this organization four years later on. He examined with Marcelle Deschenes and Francis Dhomont. Normandeau performed a key function in the advancement of Canadian electro-acoustic music. In 1987 he co-founded the Canadian Electroacoustic Community; he was a dynamic person in the ACREQ, and co-founded the non-profit organization Reseaux by which he created numerous concert occasions. He shows acoustics and electro-acoustics on the Universite de Montreal since 1988. Although he sometimes writes parts for device(s) and tape, the majority of Normandeau’s result falls in to the “acousmatic” category. His initial Compact disc, Lieux Inouis, arrived in 2000. It uncovered strong stylistic commonalities to his coach Dhomont, specifically his sense from the narrative. Tangram, in 1994, provided initial types of his desire for speech. International reputation arrived in 1996 when he was granted the renowned Golden Nica at that year’s release from the Ars Electronica competition for the task “Le Renard et la Rose,” loosely predicated on Antoine de Saint-Exupery’s story Le Petit Prince. The piece was included on three compilation CDs before getting its method on his third single album, Figures.