Of all pivotal numbers in blues history, one among the main was Robert Nighthawk. He bridged the space between Delta and Chicago blues easily, taking his slip cues from Tampa Crimson and stamping them with a Mississippi advantage learned first hands from his cousin, Houston Stackhouse. Though he documented from your ’30s in to the early ’40s under a number of titles — Robert Lee McCoy, Rambling Bob, Peetie’s Boy — he finally required his enduring sobriquet of Robert Nighthawk from your name of his 1st record, “Prowling Night time Hawk.” It ought to be noted the huge lapses within the man’s discography are immediate outcomes of his rambling character, taciturnity, and seeming disinterest to make records. Once you have him right into a studio room, the results had been almost always of the uniform excellence. Nonetheless it might be 2 yrs or even more between classes. Nighthawk never accomplished the achievement of his even more celebrated pupils, Muddy Waters and Earl Hooker, getting himself to become much happier to become operating one nighters in taverns as well as the Maxwell Road open marketplace on Sundays. He ultimately remaining Chicago for his hometown of Helena, AR, where he quickly overran the Ruler Biscuit Radio Display after Sonny Boy Williamson passed away, while seemingly operating every little juke joint that dotted the scenery until his loss of life from congestive center failing in 1967. Robert Nighthawk isn’t a name that frequently gets bandied about when talking about the all-time greats from the blues. But well it will, because his legacy was all-pervasive; his resonant tone of voice and creamy clean slide acoustic guitar playing (performed in regular tuning, unusual for any bluesman) would impact players for decades to come and several of his tunes would later on become blues requirements.