Robert Lockwood, Jr., discovered his blues firsthand from an unimpeachable resource: the immortal Robert Johnson. Lockwood was with the capacity of conjuring in the bone-chilling Johnson audio whenever he preferred, but he was by no means someone to linger before for lengthy — which makes up about the jazzy golf swing he often taken to the licks he performed on his 12-string guitar. Given birth to in 1915, Lockwood was among the last living links towards the glorious Johnson legacy. When Lockwood’s mom became romantically associated with the charismatic rambler in Helena, AR, the silent teenager suddenly obtained a job model and a good friend — therefore close that Lockwood regarded as himself Johnson’s stepson. Robert Jr. discovered how exactly to play acoustic guitar rapidly with Johnson’s specialist help, assimilating Johnson’s technique inside and away. Pursuing Johnson’s tragic murder in 1938, Lockwood embarked by himself intriguing musical trip. He was one of the primary bluesmen to rating an electric acoustic guitar in 1938 and finally made his method to Chicago, where he trim four seminal monitors for Bluebird. Jazz components progressively crept into Lockwood’s amazing fretwork, although his function as Sonny Boy Williamson’s musical partner in the fabled KFFA Ruler Biscuit Period radio broadcasts through the early ’40s out of Helena, AR, most likely didn’t focus on that aspect of his dexterity everything that very much. Settling in Chicago in 1950, Lockwood quickly gained a popularity as a flexible in-demand studio room sideman, documenting behind harp genius Small Walter, piano experts Sunnyland Slim and Eddie Boyd, and a lot more. Solo documenting opportunities had been scarce, though Lockwood do cut great singles in 1951 for Mercury (“I’m Gonna Drill down Myself a Gap” and an extremely early “Dirt My Broom”) and in 1955 for Work (“Sweet Girl from Maine”/”Aw Aw Baby”). Lockwood’s greatest modern are a head was performed for Pete Lowry’s Trix label, including some startling workout routines in the 12-string axe (which he daringly put into his arsenal in 1965). He afterwards joined pushes with fellow Johnson disciple Johnny Shines for just two eclectic early-’80s Rounder albums. He also documented a Robert Johnson tribute record and founded his very own label, Lockwood. In 1998, he agreed upon to Verve for the Grammy-nominated record I got eventually to Discover Me a female, which presented sit-in guests including B.B. Ruler and Joe Louis Walker. He was still operating a every week gig in Cleveland until early November 2006, when he experienced a mind aneurysm. He passed away on November 21.