A singer/songwriter having a penchant for crafting warm and breezy soft rock and roll/AM pop confections in the vein of Seals & Crofts, America, Todd Rundgren, Loggins & Messina, Dan Fogelberg, and Breads, Robert Lester Folsom’s one studio room album (1978’s Music & Dreams) amassed some regional interest upon its launch, but continued to be largely invisible to all of those other world before Brooklyn-based indie label Mexican Summer season reissued it this year 2010. Created and elevated in Georgia, Folsom got his heart arranged on the music profession from the starting, spending his formative years hearing the neighborhood AM radio train station along with his music-loving parents and soaking in the wealthy era’s deluge of noises, including Johnny Money, Bob Dylan, as well as the Beatles. He performed in rings throughout senior high school, ultimately getting himself a Sears reel-to-reel four-track recorder, with which he started documenting both himself and his close friends. After going to South Georgia University he installed with the music artists that would ultimately become his music group, Abacus, including Sparky Smith, Hans Vehicle Brackle, Vehicle Whiddon, and Jimmy Whiddon. The group honed their chops playing mixers, proms, and so on, ultimately going to Atlanta to consider a potential studio room to record some unique material. Struggling to can get on the same web page artistically when it found laying down monitors, Folsom made a decision, with some help from LeFevre Studios mind engineer Stan Dacus, to look single, though he eventually enlisted the band’s assist in placing his music to tape. Upon its discharge in 1978, Music and Dreams (just 1000 copies had been released) garnered some airplay in both Georgia and Florida, but by enough time Folsom got around to trying a follow-up, the realities of lifestyle (economic and familial) acquired tempered his dreams of a profession in music, and he became a full-time home painter. Folsom’s profession underwent a tiny resurgence this year 2010 after both Mexican Summer months and South Korea’s Riverman Music reissued the record in deluxe vinyl fabric and Compact disc editions. A assortment of Folsom’s old house recordings entitled Ode to a Rainy Time: Archives 1972-1975 implemented in 2014.