Robert Crouch can be an musician, musician, and curator located in LA whose function encompasses functionality, sculpture, installations, and recordings. His music runs from glacial, cloudlike drones to denser, heavier textures, frequently mixing field recordings with synthesizers and digital digesting. As a movie director or associate movie director of organizations such as for example VOLUME and Ribbons, he spent some time working with artists such as for example William Basinski, Richard Chartier, Tim Hecker, Steve Roden, Christopher Willits, and many more. He provides released experimental techno in the Untitled & After label being a single musician, as you half from the duo Property Audio (with Marc Kate), and in cooperation with Morgan Packard. His debut full-length, An Occupied Space, made an appearance on Dragon’s Eyesight in 2011. Fata Morgana, a cooperation with Yann Novak (owner of Dragon’s Eyesight), was commissioned with the Pasadena Arts Council for the 2011 AxS Celebration, and released on Compact disc by Japan’s Murmur Information in 2012. Organs, an record predicated on the noises of a damaged church body organ, was released by Dragon’s Vision in 2015. This is accompanied by A Progressive Accumulation of Suggestions Becomes Truth, released by Chartier’s Collection imprint in 2016. The recording utilized noises sourced from modular synthesizers, but was very much not the same as most albums of this character. Sublunar, Crouch’s 1st recording for the U.K. experimental music organization Touch, premiered in 2017.