Robert Casadesus was the quintessential France musician, a separate perfectionist who carried the Gallic virtues of precision, clearness, and elegance in to the mid-twentieth hundred years while an embodiment from the living nature of classicism — precision animated by enthusiasm, clearness attained through sensuous scintillance, and elegance while the expression of the very most lucidly conscious animation. Created in Paris to a recognized family of music artists — his dad and three uncles liked professions as performers and composers — Robert got first reward for piano in the Paris Conservatoire at age group 14. Research with Louis Diémer — early fanatic from the French clavicenistes, premiere soloist and dedicatee of Franck’s Variants symphoniques for piano and orchestra — graced Casadesus using the mantle from the inheritor. In 1921 he wedded fellow Diémer pupil Gabrielle (Gaby) L’Hôte. The next year he gained Ravel’s friendship along with his efficiency of Gaspard de la nuit, which resulted in European tours using the composer and famous soprano Madeleine Gray. “You certainly are a composer,” Ravel had written, “because you possess the courage to try out ‘Gibet’ as I thought it, that’s, as a sluggish piece…And virtuoso pianists usually do not desire to try out it like this. They dual the tempo and make it considerably faster. That’s the reason I believe you certainly are a composer.” Certainly, Casadesus’ catalog ultimately embraced some 68 functions, including seven symphonies, concertos for just two and three pianos and orchestra, 27 chamber functions, and 20 functions for piano. It really is music for connoisseurs, music of formal concision not really without passionate appearance, but extremely wrought, suggestive, and understated in, typically, lyrically attenuated gradual movements, sensitive and unusual, and conclusions of fastidious tumult. It’s the antithesis of Mahler’s confessional expansiveness, while Stravinsky’s neo-Classical way appears gimmicky and carnivalesque in comparison. Casadesus was a recognized teacher, starting his profession as teacher of piano on the American Conservatory in Fontainebleau in 1921, and changing Isidor Philipp as its mind in 1935. Nonetheless it is normally primarily being a touring pianist and documenting musician that Casadesus is normally remembered, showing up throughout European countries and america over 2,000 situations in a profession spanning half of a hundred years, frequently in duo-piano recitals along with his wife. His authoritative, exhilarating recordings from the Mozart piano concertos with George Szell as well as the Cleveland Orchestra, the Beethoven violin sonatas as well as the Franck Sonata with Zino Francescatti, Franck’s Variants symphoniques and d’Indy’s Symphonie cévenole with Ormandy as well as the Philadelphia Orchestra, as well as the piano functions of Ravel — to mention however the most prominent — are among the greatest.