Originally rooted within the tradition of very difficult bop jazz, cornetist Rob Mazurek progressed into perhaps one of the most regularly exciting pure improvisers of his period. Being a founding person in the multifaceted Chicago Underground collective as well as the 21st hundred years fusion clothing Isotope 217, his playing redefined musical limitations through radiant sonic palettes that defy categorization. Blessed in 1965 in Shirt City, NJ, Mazurek moved along with his family members towards the Chicago region being a preteen and started playing cornet in his college band at age ten. After switching briefly to trumpet, he ultimately settled on small horn. Upon graduating from senior high school, the youthful musician went to the Bloom College of Jazz in Chicago. He got his begin being a performer in the town using pianist Kenny Prince and drummer Yoron Israel. Early affects originated from the hard bop nucleus of Blue Notice Records (specially the trumpet playing of Lee Morgan, Kenny Dorham, and Freddie Hubbard). It had been in this mildew that Mazurek formed his 1st group, a quartet with drummer George Fludas, bassist John Webber, and pianist Randolph Tressler. In 1993, Mazurek booked an engagement at Edinburgh’s Tron Tavern & Ceilidh Home for the whole amount of the country’s Fringe Event. Although music was pretty traditional, the shows were successful, and the next yr the group was provided a cope with Scotland’s Hep label. The quartet’s guarantee was qualified with Man Facing East in 1994 and Badlands in 1995. Mazurek was hearing a fresh sound, nevertheless. His innovative impulses were becoming sparked from the music of Ornette Coleman and his cornet-wielding sparring partner from your past due ’50s, Don Cherry, along with the Artwork Outfit of Chicago. The list would quickly develop to add the free of charge playing of Henry Threadgill, Expenses Dixon, and Leo Smith, and by enough time of 1996’s Green & Blue, Mazurek was realizing the restrictions of his quartet. That yr he founded the Chicago Underground, a Weekend evening workshop at an area pub, the Green Mill. The very first person he asked to his fresh musical high-wire take action was guitarist Jeff Parker. The jam classes quickly attracted several regulars who included bassist Noel Kupersmith and drummer Chad Taylor, and Mazurek discovered that he previously a primary ensemble. It had been this new team — finished by trombonist Sara Smith and billed because the Chicago Underground Orchestra — that documented Playground for Bob Koester’s Delmark in 1998. The collaboration automatically connected Mazurek’s group with a wealthy custom of Chicago jazz, as Delmark experienced championed several artists from your city’s Association for the Advancement of Innovative Music artists. Mazurek’s group would spawn several spin-offs including a Duo (with Taylor), a Trio (with Kupersmith), along with a Quartet (with Parker), which used the Chicago Underground banner. Parker acquired moved in to the loft of Chicago’s Tortoise a couple of years previously and quickly became a full-time member. Two musical worlds — fringe jazz and fringe rock and roll — fulfilled, and Mazurek discovered himself subjected to an entirely brand-new world of sonic opportunities. In following years, he produced numerous extracurricular performances, financing his cornet to Tortoise’s TNT, Gastr del Sol’s Camoufleur, Stereolab’s Cobra and Stages Group, and Sam Prekop’s single debut. This musical cross-fertilization led to the creation of Isotope 217 in 1997. A disorienting mixture of jazz flourishes, muscular funk, hip-hop reductions, and minimalist electronica, the group was a cooperation between Chicago Underground associates (Mazurek, Parker, and Smith), veteran Chicago bassist Matt Lux, and Tortoise’s Dan Bitney and John Herndon. The sextet released its debut, The Unpredictable Molecule, in 1998, accompanied by Utonian Auto in 1999 and Who Stole the I Walkman? in 2000. On the other hand, the music emanating in the Chicago Underground was getting close to the world of pure audio on albums like Synesthesia and Feasible Cube. Mazurek acquired uncovered the music of Morton Feldman and Vladimir Ussachevsky, in addition to visual performers like Tag Rothko, most of whom appeared to discover a way into his music. Because the hundred years drew to some close, he was hard at the job creating a laptop-constructed musique concrète for his Orton Outlet project. Mazurek eventually moved from america to São Paulo, Brazil and extended his worldwide perspective, touring and documenting using the São Paulo Underground, the Exploding Superstar Orchestra, as well as the improvisational trio Tigersmilk. Furthermore, the Exploding Celebrity Orchestra appeared in the Chicago Jazz Event with vanguard jazz tale Bill Dixon. Collectively they premiered one fresh extended structure by each guy. It had been the latter’s 1st large-scale test out a video rating. In 2008, the cooperation continued within the documenting studio, leading to Expenses Dixon with Exploding Celebrity Orchestra on Excitement Jockey. It had been Dixon’s final documenting. This year 2010, Mazurek documented Boca Negra using the Chicago Underground Duo, Celebrities Have Eyes using the Exploding Celebrity Orchestra (both on Thrill Jockey), along with a single work entitled Calma Gente. He debuted his Starlicker group on Two times Demon from Delmark. The music group included vibraphonist Jason Adasiewicz and drummer John Herndon. The São Paulo Underground released its third providing, Tres Cabeças Loucuras, on Cuneiform. Mazurek toured behind both. Despite additional tasks, the Chicago Underground Duo continued to be the music group nearest the very best of his concern list. Its Age group of Energy premiered in the springtime of 2012. In January of 2013, Cuneiform released Skull Periods with the Rob Mazurek Octet, which highlighted associates of Starlicker, the São Paulo Underground, and observed Chicago flutist Nicole Mitchell among its workers. In April, THE AREA Between, a collaborative task between his Exploding Superstar Electro-Acoustic Outfit and videographer Marianne M. Kim, premiered by Delmark. Mazurek came back using a Chicago Underground Duo recording the following yr entitled Locus, on North Spy. Following a passage of Mazurek’s mom, he documented the deeply shifting Come back the Tides with Dark Cube SP (a protracted lineup of São Paulo Underground). Cuneiform released it in 2014. Galactic Parables, Vol. 1, a concert collection, appeared a yr later on. France’s Rogue Artwork released two recordings by Mazurek’s ensembles. Initial, the Exploding Celebrity Orchestra’s Matter Anti-Matter (with presented soloist Roscoe Mitchell), accompanied by Some Jellyfish Live Forever, a duo with guitarist Jeff Parker. Within the springtime of 2016, International Anthem released Alien Bloom Sutra, a collaborative music cycle using the Cairo Gang’s Emmet Kelly. It had been followed in Oct by Cantos Invisiveis, the 5th record from São Paulo Underground.