Adolescent glitter rocker Ricky (sometimes “Ricki”) Wilde was created Richard James Reginald Steven Smith in London about November 6, 1961. The boy of pre-Beatles pop celebrity Marty Wilde and previous Vernons Women member Joyce Barker, he produced his documented debut at age 11, issuing “I Am an Astronaut” — a marvelously strange homage to Ziggy Stardust-era Bowie, produced all the impressive by Wilde’s squeaky, prepubescent vocal stylings — on convicted pedophile Jonathan King’s UK label in 1972. Despite starring inside a BBC documentary entitled Twinkle Twinkle Small Star and making considerable printer ink in teen mags both in the home and overseas, the record damaged the Swedish TOP but was a flop just about everywhere else; an identical destiny befell the follow-up, a 1973 reading of Pat Boone’s “Apr Love.” Following the little-noticed “REPEAT, a bit Slower,” Wilde resurfaced in 1974 with “Mrs. Malinski,” a tribute to a precious teacher; using the would-be anthem “Teenager Influx” the vocalist reached his innovative zenith, providing a glam traditional notable because of its prescient work from the synthesizer. Just as before the general public wasn’t buying, nevertheless, and after one last stab at graph achievement with “I Wanna Visit a Disco,” Wilde successfully retired at age 13. A 1980 return attempt proved perhaps most obviously for introducing the profession of his old sister, Kim — Wilde and father Marty continued to co-write and co-produce Kim’s biggest strikes, most famously the ’80s-period anthem “Children in the us.” In 1982, Wilde also co-produced “Private,” the debut single one by ex-Japan member Mick Karn.