The sound of Reverend D.C. Grain is one component fiery preaching and two parts scratchy-but-sanctified performing. Additionally it is heavily influenced with the 78s of Reverend J. M. Gates & most specifically by those of Rev. F.W. McGee. Delivered and elevated a Baptist’s kid in Barbour State, Alabama, Rice still left his rural house in the past due teens and transferred to Chicago. There he became a member of Bishop Hill’s Pentecostal congregation on the Church from the Living God. Around 1920, following loss of life of Bishop Hill, Grain became the first choice of a little Church from the Living God congregation; he was a solid preacher and shortly found himself getting a pursuing. After hearing the recordings of these preachers, he was motivated to create his own information and so visited Vocalion to meet up with Jack port Kapp. Kapp delivered some people to Rice’s following Weekend gathering, but was unimpressed and refused to record Grain. But a couple of days afterwards, Kapp had an abrupt, inexplicable modify of center and called Grain directly into record in trade for $75 a part, but no royalties. On these sung sermons, Grain was typically followed by percussion, a trombone, piano, and bass. The ensuing discs, which “I’m within the Battlefield of god, the father” (1929) is definitely his most widely known, had been distributed liberally throughout Chicago; by August 1928, he previously ten singles away and was offering Sunday providers on the air. He continued documenting for Vocalion through 1930. Then twice attempted to indication to Paramount, but got no agreement and so transferred to business lead a cathedral in Jackson, Alabama, for just two years. Then began preaching on the Oak Road Holiness Cathedral in Montgomery. Grain was appointed Bishop from the Apostolistic [sic] Conquering Holy Cathedral of God, for Alabama, Florida and Georgia in 1941. Although he produced various other recordings after Vocalion, they have already been lost.