Regina Resnik

A mezzo-soprano of such power and expert that she became a dominating physique in opera through the 1950s, 1960s, and 1970s, Regina Resnik began her profession like a soprano. In the Metropolitan Opera, brief on dramatic performers during WWII, Resnik was drafted for projects no young vocalist should ever become asked to attempt. She survived, but as the high tessitura of the heavy soprano functions placed increasing stress on her continuously darkening tone of voice, she stepped in to the dramatic mezzo-soprano repertory in the middle-’50s with revelatory outcomes. Her acuity as an celebrity enabled her to produce formidable portraits as Amneris, Carmen, Marina, and Ortrud. Resnik started tone of voice lessons with Rosalie Miller while still in senior high school. After graduating from Hunter University in 1942, she produced her debut in concert in the Brooklyn Academy of Music. Involved mainly because an understudy for the brand new Opera Organization, she was asked to displace an ailing soprano mainly because Woman Macbeth in Dec 1942. After performing Leonore and Micaëla for Mexico’s Opera Nacional, she received the Metropolitan Opera Auditions from the Air flow in 1944, and by Dec of that 12 months, she had changed Zinka Milanov as Leonora in Il trovatore (after also having made an appearance at the brand new York Town Opera as Santuzza). Although critics questioned the advisability of 1 so young presuming such demanding jobs, Resnik impressed them and the general public with her audio musicianship and comprehensive preparation. She continuing in soprano jobs through the ensuing 10 years and after very much consideration, produced the change to mezzo jobs. Her Sieglinde on the 1953 Bayreuth Celebration demonstrated a transitional function. In 1955, she sang Amneris on the Cincinnati Zoo Opera and, in Feb 1956, she re-appeared in the Metropolitan as Marina in Boris Godunov, ultimately completing 30 months inside your home. Her transition fulfilled with authorization as critics hailed the deep, powerful audio of her fresh vocal persona. From that time until her pension, she conjured a memorable gallery of personalities, embracing almost all from the big parts in the dramatic mezzo fach in theaters which range from SAN FRANCISCO BAY AREA to Salzburg. Her Klytemnästra, Herodias, Carmen, Eboli, and Dame Quickly had been celebrated, her Wagner shows hailed as one of the better of her period. Resnik’s histrionic expert made her pleasant like a stage movie director as well.