The nickname “Red” may be the hottest in jazz or any music genre; for the time being, a sub-catagory associated with bassists with this nickname is present should never become doubted. There is certainly a good jazz anecdote associated with a bandleader phoning an apartment distributed by two bassists, both referred to as “Crimson”, and employing the incorrect one. At least he had not been looking for Crimson Balaban, whose genuine name was Leonard Balaban, and like many trad jazz artisans, was also adept at tuba. Balaban’s history is certainly Florida, where he was playing in local bands from the middle-’50s. From 1966 he kept forth in NEW YORK at the Father’s Mustache, a favorite Dixieland venue rather than a perch for gravy or dairy. Besides as an energetic leader, Balaban supported payers such as for example Wild Costs Davidson, Eddie Condon, Gene Krupa, Dick Wellstood, and Kenny Davern, who all used him within their tempo areas on either or both of his musical instruments. In 1975, he overran the membership possessed by Condon, placing him in an excellent placement to declare his brand-new status as home band head. The management’s brand-new group became referred to as Balaban & the Felines and included players such as for example trombonist Vic Dickinson, trumpeter Warren Vaché, and drummer Connie Kay. About a decade later, the membership finally shut down, and like many such dives, its atmosphere continues to be memorialized in the limbo of live recordings, an excellent place to listen to Balaban in his mature period as a new player, i.e. ahead of unemployment. In fact that was barely the situation with this tone of “Crimson”, still carrying out gigs at age 74.