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The music of Filipino singer/songwriter Rayyn may also be so quiet that it appears to float. His tone of voice itself defies gravity, drifting like clouds atop his atmospheric acoustic pop. Rayyn started playing tools — acoustic guitar, bass, piano, and drums — at age 14. Nevertheless, he couldn’t examine notes, relying generally on his ears to steer his fingertips. Although his early affects were new influx artists like the Law enforcement, Tears for Doubts, and U2, the mood-spinning monitors that initially gained him significant airplay in the Philippines drew evaluations to religious rockers Jars of Clay. Strangely enough, Rayyn attempted heavy metal at the start of his profession. In 1994, he graduated from Ateneo de Manila College or university and then shifted to London, Britain to function. When he came back towards the Philippines, Rayyn (brief for Raymond; the twice “y” is perfect for numerological factors) started operating at various careers but his have to create songs grew. Nevertheless, he desired something older and heartfelt than hard rock and roll. Influenced by how Jars of Clay as well as the Dave Matthews Band integrated components of folk and contemporary rock on the albums, Rayyn bought his 1st synthesizer and started crafting the refined hooks of his 2000 self-titled debut. He created and organized the recording himself; furthermore, he performed every device on the recording aside from Eric Villadelgado’s acoustic guitar contribution on “HANG ON.” With out a label offer, Rayyn released the full-length by himself; the CD’s luxurious packaging — with a 48-web page booklet with lyrics, postcards, and photos of Rayyn in his soul-searching excursions to Baguio and Ilocos, Philippines — was completed by his wife’s business, Three Fates Inc. In 2001, the product packaging was chosen from the NU-107 Rock and roll Awards being the year’s greatest. The video for “HANG ON” was demonstrated continuously on MTV in the Philippines.

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