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Raymond Jones

Raymond Jones burst in to the past due-’70s disco picture together with Nile Rodgers and Bernard Edwards before venturing off by himself, eventually starting a solo profession in the past due ’90s. Playing keyboards alongside Rodgers and Edwards in the group Chic, Jones started his professional profession swiftly. Through the past due ’70s and early ’80s, Rodgers and Edwards had written many gigantic strikes as Chic, aswell for Sister Sledge, amongst others, and Jones performed keyboards on most of them, from “MEMORIES” to “We Are Family members” to Debbie Harry’s “Backfired.” Nevertheless, Rodgers and Edwards parted methods, leaving Jones to get studio function. In the ’80s, he caused such luminar numbers as Stephanie Mills, among the decade’s most effective urban pop performers. Past due in the 10 years, Jones began dealing with acclaimed filmmaker Spike Lee, 1st for the soundtrack for Perform the proper Thing (1988) and consequently on a lot of Lee’s pursuing films such as for example Mo’ Better Blues (1990) and Can get on the Bus (1996). Next, Jones produced the leap to tv when television chat show web host Keenan Ivory Wayans find the keyboardist-turned-producer-turned-songwriter simply because his musical movie director. Following these twenty years of sector work — initial within the Chic hit-making group, afterwards as Lee’s chosen soundtrack manufacturer — Jones embarked on the solo profession in the past due ’90s with UEG Information. Many albums of even jazz billed with mildly intimate motifs resulted, all offering numerous visitor vocalists.

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