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Raôul Duguay

Poet, phonetician, and vocalist/songwriter Raôul Duguay was one of the primary countercultural artists dynamic in Montreal. He initial got noticed being a postmodern poet and considered music within the freak collective L’Infonie where he created an extremely personal type of sound poetry. But his influence was stronger being a pop vocalist in the middle-’70s, an interval where he built a solid cult pursuing in Quebec and France. He’s most widely known for the 1975 tune “La Bittt ? Tibi,” which quickly became a staple of Quebec nationalism. Delivered Raoul Duguay (with no circumflex highlight in the “o”) on Feb 13, 1939, the seventh kid of a family group of 11, he was raised in Northwestern Quebec, an unhealthy region known as Abitibi. A gifted kid, he inserted the seminary where he emerged in touch with poetry as well as the arts. At age group 15 he begun to play trumpet and pay attention to jazz. In the first ’60s Duguay transferred to Montreal to review idea and linguistics in the Université de Montréal. There he fulfilled additional poets like Gaston Miron and Paul Chamberland, and added towards the seminal countercultural/nationalist publication Parti-Pris. He released his first publication of poetry, Ruts, in 1966. Another year he fulfilled Walter Boudreau, an avant-gardist jazzman, and with him come up with L’Infonie, a distinctive experimental collective that placed on happenings before early ’70s. Duguay’s part within the group’s information was limited by several vocal looks, but on-stage he was expert of ceremonies, declaiming his audio poetry in every the craziest outfits. It is of these years that he followed the pseudonym Raôul Luôar Yaugud Duguay (his initial and last name spelled forwards and invert). By 1972, Boudreau acquired turned L’Infonie right into a disciplined modern music ensemble and Duguay still left to pursue a single profession. He brought with him the icons he had created using the collective: a complicated mystic predicated on the quantity three as well as the circumflex highlight in the “o” representing a kind of transcendence. Burning up bridges using the avant-garde within a desire to consider his growing modern message to the normal guy, he reinvented himself being a pop vocalist and documented a trilogy of artwork rock and roll albums: Alllô Tôulmônd (1975), L’Envol (1976), and M (1977) — excerpts from these as well as the live Vivant Avec Tôulmônd had been reissued as the two-CD established Monter en Amour (1993). He also produced guest looks on albums by Maneige, Pollen, and les Séguin around that point. Duguay continuing to record sparsely in the 1980s (mainly new age like ballads) but his celebrity experienced faded and, periodic nostalgia-related public looks and motivational workshops aside, he held a minimal profile. He collaborated with Boudreau for the award-winning structure “Golgot(h)a” and resumed composing poetry. In the past due ’90s, he orchestrated the reissue of his text messages, recorded a fresh recording, Caser (1999), his 1st in a decade, and released a assortment of paperwork on L’Infonie (L’Infonie: Le Bouttt de Touttt).

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