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Pura Caña

Pura Caña may be the brainchild of Mexican percussionist/manufacturer/bandleader Daniel Osorno, who founded the clothing in the tiny city of Bellavista, Mexico (not definately not Guadalajara) in Feb 2002 and it has been leading it since. Osorno isn’t only a musician, but additionally an athlete — a well-known athlete, actually. In Mexico, he’s a well-known soccer participant, and Osorno’s capability to have a profession both in sports activities and music provides led to some good-natured kidding within the Spanish-language press. Mexican journalists used funny phrases like “futbolista músical” (musical soccer participant) to spell it out Osorno and also have described him as a guy with two groups — a musical group along with a soccer (or soccer) group. (Beyond america, the word soccer — fútbol in Spanish — identifies soccer, not really the exclusively American sport performed with the Chicago Bears as well as the Philadelphia Eagles). Pura Caña’s area of expertise is certainly banda, a brassy, horn-powered design that started in southern Mexico and is fairly popular both in Mexico as well as the southwestern area of the USA; banda’s participants range between long-running groupings like Banda un Recodo (a significant impact on Osorno’s music group) to newer arrivals who recognition within the ’90s or 2000s such as for example Jenni Rivera, Ezequiel Peña, Rogelio Martínez, and Yolanda “La Potranquita” Pérez. Nowadays, banda is certainly moving in a variety of directions; some 21st hundred years banda is quite traditional, although some of younger banda performers are tinkering with from hip-hop, funk, reggaetón, and membership/dance grooves to salsa/Afro-Cuban music, which is safe to state that whenever it involves banda, Pura Caña embraces both traditional and the present day. A few of their function is fairly traditional and stereotypically Mexican, but sometimes, Pura Caña isn’t timid about fusing banda using what people within the Latin music market make reference to as exotic music (that’s, Afro-Cuban salsa, Dominican merengue, and Colombian cumbia). About a minute, Pura Caña is definitely embracing something as typically Mexican as Gilberto Parra Paz’ “Por el Amor” or José Alfredo Jiménez’ “La Enorme Distancia”; another minute, Osorno will show that he’s well alert to tropical icons such as for example Tito Puente, Ray Barretto, Johnny Ventura, and Wilfrido Vargas. Osorno results in as an eclectic person that could appreciate hearing Lola Beltrán about a minute and Olga Tañón or Celia Cruz another; Pura Caña’s function is definitely even more Mexican than anything, however the Afro-Cuban, Colombian, and Dominican affects are certainly there. Phoning Pura Caña a large band is not any exaggeration; in 2003 and 2004, the clothing averaged around 19 users. Furthermore to Osorno, a number of the primary participants possess included lead vocalist Nestor Sagid Olea Meneses, maker/songwriter Iván Díaz and keyboardist/songwriter Alejandro Rodríguez. In August 2004, Pura Caña’s debut recording, Sabor de la Banda Pura Caña de Daniel Osorno, premiered from the Los Angeles-based, Univision-affiliated Fonovisa Information (a significant player within the regional Mexican marketplace).

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