Self-described “avant-goth metallers” the Provenance shaped in Gothenburg, Sweden, circa 1995 by Emma Hellstrom (vocals/flute/keyboard), Tobias Martinsson (vocals/guitar), and Joel Lindell (drums). Within several months, they started performing regularly around the city’s famed rock club picture, and were quickly recording their 1st demos, 1996’s “Requiem of Mankind” and 1997’s “Endless Confinement” — the second option also featuring business lead guitarist Joakim Rosen. The Provenance had been then forced right into a lengthy hiatus when Hellstrom relocated to France for any 12 months, but resumed their function upon her come back, drafting bassist Jonnie High for the classes of the debut recording, 2001’s 25th Hour; Blood loss. Heavily affected by the task of Holland’s Gathering along with other gothic-inflected intensifying rockers, the recording also flirted with components of loss of life metal — unsurprising given this is becoming their hometown’s most well-known musical export. Immediately after its launch, the Provenance started focus on a follow-up known as Still at Hands Length, that they released in early 2003 via Scarlet Information.