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Prettier Than Pink

Sex charm and pop smarts catapulted Prettier Than Green to the very best of the graphs in the Philippines in 1995, their popularity skyrocketing following an omnipresent one, “Great Ka Lang” (“Just Stay Great” in British), wooed radio listeners using its sprightly electric guitar jangle; witty, upbeat lyrics; and sugar-sweet vocals. Written and constructed by head and founding member Lei Bautista (vocals, electric guitar), “Great Ka Lang” became among the Philippines’ biggest ’90s strikes. The tune captured the first-person narratives of everyday lifestyle in the Philippines how the country’s alternative works became known for, but put into a radio-friendly framework. Consequently, unlike lots of the Filipino electric guitar groups in the first ’90s, Prettier Than Green could charm to mainstream preferences despite the fact that the band got roots in brand-new influx and ’60s rock and roll. In 1991, the initial incarnation of Prettier Than Green was shaped (in Colegio de San Agustin), the brainchild of the high-school instructor. The then-nameless group was exclusive to the united states in that it had been an all-female music group with each member playing devices. At that time, the group could just perform three music: John Lennon’s “Think about,” Wilson Phillips’ “HANG ON,” as well as the Ronettes’ “Become My Baby.” The music group was found out by Ramon Jacinto, the daddy of rock and roll radio in the Philippines using the famous DZRJ. Jacinto employed the group, right now known as Pretty and Red, to execute at his pubs. The bandmembers ultimately ended their romantic relationship with Jacinto and transformed the group’s name to Prettier Than Red. Members also arrived and left, using the roster buying Bautista, Annie Trillo (bass), Gretchen Gregorio (keyboards), and Vanessa Garcia (drums). Impressed by the group’s skills, Digital FX asked Prettier Than Red into their studio room to record the band’s self-titled debut recording. The slickly created record became the thing of the major-label bidding battle received by Viva Information, which released it in 1995 under its Neo Information imprint. Within five weeks the LP proceeded to go platinum. Prettier Than Red gigged constantly, carrying out ’60s and ’70s addresses and fresh influx classics alongside initial materials. Although critically dismissed, the users of Prettier Than Red were considered positive role versions, inspiring girls to consider up musical instruments and honestly exhibit their feelings. Following the second record, 1997’s more daring UnPink, the music group underwent another roster change as Bautista was supported by three people of the feminine punk steel quartet Keltscross — guitarist Pamela Aquino, bassist Jeng Tan, and drummer Sheila Rosete — with brand-new keyboardist Marge Pantaleon. Nevertheless, the brand new lineup released no brand-new materials, as Bautista relocated towards the U.S. quickly thereafter and Aquino and Tan helped to create the Pin-Up Women. In 2004, Bautista documented a Christian substitute record with session music artists as Airlia, striking number 1 on Flashback Alternatives in NJ with “Guiding Light.” She also re-formed Prettier Than Green being a neo-new influx act in the us that season with Aquino, Melody del Mundo (bass) of Glucose Hiccup, and Annette Ortiz (drums) of Fatal Posporos. A season later, they began focus on their initial U.S. record.

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