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Poison Girls

A British punk device whose thoughtful explorations of problems of sexuality and gender issues presaged the riot grrrl motion from the 1990s, the Poison Young ladies were actually a male backing music group formed around a singer and guitarist getting in touch with herself Vi Subversa. Released in 1979, the Young ladies’ debut, Hex, was made by Crass drummer Cent Rimbaud, as was the next year’s Chappaquiddick Bridge. As the guitar-based music on both information was fairly simple, Subversa’s lyrics had been not, tackling problems of politics, normalcy, love, and feminism with fury and cleverness. After launching Total Publicity, a stopgap live record documented in Scotland in middle-1981, the Poison Young ladies came back in 1982 using a recently skilled and advanced audio on Where’s the Pleasure, which discovered Subversa streamlining her materials to focus exclusively about sex. With the 1983 EP I’m Not really a Real Girl, the band acquired virtually discontinued its punk root base and only Celtic folk performing and cabaret-styled pop; 1985’s Music of Praise also found components of funk creeping in to the combine. In the past due ’80s, the Poison Young ladies known as it quits. A four-CD retrospective, Declaration: THE ENTIRE Recordings 1977-1989, was released in 1996.

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