Plastic material Bertrand was the alias of fresh wave prankster Roger Jouret, a indigenous of Belgium who appropriated the sound and design of the brand new wave movement to be able to give it a gently satirical poke within the ribs, while scoring many Western hits along the way. Jouret started his musical profession like a drummer for the Belgian punk trio Hubble Bubble, which documented one unsuccessful recording. When Jouret fulfilled maker/songwriter Lou Deprijck, both struck up a documenting collaboration; Jouret emphasized his pretty-boy appears and punkish style sense. Their 1st effort, “Ça Aircraft Pour Moi” (“This Life’s for me personally”), is broadly seen as a New Influx classic because of its gleefully deranged stupidity, with Jouret performing French non-sense lyrics inside a cartoonish tone of voice over fundamental three-chord rock and roll & roll filled with saxophones along with a falsetto vocal connect straight from the Seaside Kids or Four Months. The music was a smash in European countries and became a cult preferred in America; Plastic material Bertrand continued release a records in European countries, including a U.K. strike remake of the tiny Encounters’ “Sha-La-La-La-Lee.” Bertrand attempted seemingly every fresh wave style, including spacy consumer electronics, disco, bubblegum pop, reggae, and spoken term raps, all using the same naggingly interesting stupidity. He continued to be popular within the Western continent and in Canada for quite some time, where audiences had been even more attuned to his mainly French lyrics, however the novelty ultimately used off, and nothing at all was noticed from Bertrand after 1982. Plastic material Bertrand released many albums, which are difficult to acquire; a greatest-hits collection can be floating around.