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Plas Johnson’s seductive tenor audio has been applied to many studio classes, including — especially — the Red Panther film (1963). A far more versatile participant than one might believe, Johnson sounds similarly in the home in blues, R&B-ish, and hard bop configurations. He recorded an individual in New Orleans (1950), shifted to LA, and was quickly founded as a favorite studio room musician. Johnson caused Johnny Otis and Charles Dark brown, recorded dates like a innovator for Tampa (1956-1957), Rating, Capitol (1958-1960), Ava (1964), and Concord (1975-1976), caused the Capp-Pierce Juggernaut, and toured using the Gene Harris Superband in 1990.
