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Named following the Japan term for the hobby of modeling dreams away of plastic, Plamo may be the gleeful, whimsical house recording task of professional clay modeler Shuji Suzuki. From 1995, Suzuki began working on some skittery, sparkly indie pop music that drew in the jaunty, carefree music entirely on early Nintendo video games from the 8-little bit variety (a thing that would ultimately find the musician adding to the soundtrack for the Sega Dreamcast video game Roomania 203) and nodded to like-minded peers such as for example Lullatone, Takako Minekawa, and I Am Automatic robot and Very pleased. His initial full-length album, Total Scratched, emerged 3 years afterwards, and was accompanied by many performances on 8-bit-oriented compilation discs. Another album, Needs Function, implemented in 2005, and programs had been in the functions for a divide 7′ and an appearance with an Sound Dregs compilation record two years afterwards.

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