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Piknik

Working off the essential assumption that Soviet rock and roll can be demarcated by lyrics a lot more than music, Piknik’s contribution was its focus on the inner lives of humans, as manifested by personal dream. Through the psyche of Piknik’s introverted head Edmund Shklarsky surfaced Gothic motifs, whose mysticism undercut the secular position from the Soviet routine. Foreign towards the Soviet hearing had been the rhythms that followed the group’s outlandish text message. On the apex of its reputation in the middle-’80s, the group was prohibited by the routine in the same vein that forbade Soviet people reading fantasy books or practicing arranged religion. In latest background the group provides trudged along the featureless corridor of nostalgia rock and roll, but at its top, Piknik’s ghoulish make of record rock and roll struck a chord with viewers, desperately searching for something to trust in aside from secular Soviet actuality. Though a prior 1978 manifestation of the group been around, Piknik’s tale justly starts in 1981 using the appearance of guitarist, pianist, and vocalist,Edmund Shklarsky. The Piknik frontman grew up on Leningrad rock and roll & move, in his college days playing electric guitar for seminal collective Akuarium, and carrying on on to enjoy with local groupings like Orion and Labirinta (Labyrinth). Invited to try out with Piknik by founding vocalist and bass participant Aleksei Dobychin and guitarist Evgeniy Volushuk, his destiny would be lengthy entwined using the group; Labirinta bandmateAleksandr Savelev became a member of him for the 1st decade of this trip. The re-assembled Piknik produced its debit in the opening from the Leningrad Rock and roll Golf club in 1981 and constructed a listenership through regular performances. They truly became a popular golf club act which frequently invited new music artists for to become listed on them for brief stints, specifically in the drummer’s chair. Quickly enough, a cassette-tape debut was documented in the studio room of underground manufacturer Andrei Tropillo. Dym cemented their placement in the Leningrad picture, but was also used take note of by Soviet officials who jottedPiknik down on a blacklist of performers forbidden from replicating albums, or documenting in studios in the Soviet Union. Probably a blessing in disguise, the blacklisting converted aspirations for revenue into a fantasy, freeing the group from preoccupation with industrial appeal. The effect was Tanetz Volka (The Dance from the Wolf), an eccentric artwork rock record inhaling and exhaling the Gothic subject material of Edgar Allan Poe, by many accounts their finest work. Their following 200-present tour from the Soviet Union arrived them on levels from Estonia to Ukraine, but under no circumstances once got them airplay on Television or radio. Their reputation increased, though materially the group hardly been around; by 1984 Dobychin and Voluwuk got lower loose to pursue various other projects. Not really until 1986 was Shklarsky in a position to piece together a fresh Piknik, its audio transformed with the addition of two key pad players and a saxophonist. Emboldened by loosening rules of artistic efforts, the federal government label Melodiya released two Piknik albums: 1986’s Iyeroglif (Hieroglyph), their initial studio record synthesizing ascetic tranquility and ornate preparations right into a symphony-inspired analog of Traditional western prog rock and roll and 1988’s Rodom Niotkuda (Given birth to Nowhere), a nuanced and matured delivery of comparable themes. Their 1st compact disc launch was 1991’s Charakiri can be an artwork rock adventure, similar to Dym. In 1994 they released Nemnogo Ognya (JUST A LITTLE Fire), using its track report on spine-chilling ballads. Two even more albums, 1995’s Vampirskiye Pesni (Vampire Tunes) and 1996’s Jen-Shen will be the most off-beat of Piknik’s discography, tenebrous lyrics discovering the world of dream ushering in musical styles of china and taiwan. In the years that adopted Piknik has continuing to produce fresh works together with an ever-growing inclination towards East, always silently opposing commercial styles. The group right now carries a resident shaman and dancer, Aleksandr Yaroboy. Their latest Compact disc, Mrakobesiye i Jazz premiered in 2007.

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