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Pierre-Laurent Aimard

Pierre-Laurent Aimard is among the leading pianists from the mainstream Western avant-garde from the last third from the 20th century and the first 21st century. As students in the Paris Conservatory, he received four first awards. His instructor was Yvonne Loriod, wife of composer and theory instructor Olivier Messiaen. Aimard’s research with Loriod offered him a detailed association with Messiaen, leading to Aimard learning to be a leading interpreter of Messiaen’s piano music. After graduation from your Paris Conservatory, Aimard continued to London for even more research with Maria Curcia. At Curcia’s recommendation, Aimard visited Budapest, Hungary, to go after composition research with György Kurtág, among that country’s leading “advanced” composers. In 1973, Aimard gained first prize on the Olivier Messiaen International Competition, and quickly thereafter started his worldwide concert profession. His recitals had been noted because of their evenly balanced focus on the original repertoire and the most recent music, frequently illuminating commonalities and links between them. In 1976, Pierre Boulez, at this time an internationally well-known conductor who acquired still left the podium of the brand new York Philharmonic to dominate the brand new IRCAM company in Paris, recommended the founding of the ensemble to become permanently mounted on it. Upon getting government acceptance, he established Outfit InterContemporain, among the leading avant-garde ensembles on earth, inviting Aimard to be its regular pianist. Aimard recognized, remaining for the reason that placement for 18 years. Through the ensemble’s performances in the us in 1986, he performed as soloist in Boulez’s structure Rèpons in NY, Los Angeles, SAN FRANCISCO BAY AREA, Boston, and Chicago. In 1988 in the B.A.M. concerts in NY he performed Messiaen’s Oiseaux exotiques and Philippe Manoury’s La Partition du ciel et de l’enfer in Carnegie Hall. He in addition has appeared like a piano soloist in concerto shows of traditional repertory. For the reason that capability he offers performed with lots of the world’s great orchestras, like the Cleveland Orchestra, Chicago Symphony, Boston Symphony, SAN FRANCISCO BAY AREA Symphony, Toronto Symphony, London Philharmonic, Berlin Philharmonic, Concertgebouw Amsterdam, Orchestre de Paris, as well as the St. Petersburg Philharmonic. His looks in worldwide music festivals have a tendency to center on uncommon repertory; he offers performed at Tanglewood, Salzburg, the Berlin Event, the Edinburgh Event, the Autumn Event of Paris, as well as the Cologne Triennial Event. Upon departing the Outfit InterContemporain, he announced a concert series in Paris and Lyon known as “Piano within the 20th Hundred years.” Throughout its eight concerts, he offered 24 functions in diverse 20th hundred years styles. He adopted the success of the venture with other such concert series, including one specialized in duet shows, another tracing the impact of Johann Sebastian Bach on the hundreds of years, and a forward thinking exploration of music with time and space that mixed ancient music, cultural music forms, traditional music, and film music. Conductors for the reason that series included Kent Nagano, Christoph von Dohnányi, Pierre Boulez, and Peter Eötelevisionös. He offers recorded extensively within the Deutsche Grammophon, Erato, Sony, and Auvidis brands, amongst others. For Sony he offers undertaken some recordings of the entire piano music of Hungarian composer György Ligeti. Furthermore, he offers produced television movies popularizing and detailing music of his period. Aimard offers served because the creative director from the Aldeburgh Event (from 2009) and continuing showing up with ensembles all over the world, like the Royal Concertgebouw Orchestra and orchestras in Chicago and Cleveland.

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