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Pierre Fournier


Pierre Léon Marie Fournier was created into a armed forces family. His dad was an over-all; his mom was musical and trained him piano lessons. At age 9, he experienced a mild strike of polio. Weakness of his hip and legs produced pedaling the piano tough. So he considered the cello, and after producing rapid improvement, he was accepted towards the Paris Conservatoire. His instructors there have been Paul Bazelaire and Anton Hekking; he graduated in 1924 at age 17. Fournier produced his debut the entire year after his graduation. This is a single appearance using the Concerts Colonne Orchestra, which received beneficial notices. The nearly invariable comment in evaluations was the excellence of his bowing technique. He started a successful profession like a touring concert designer so when a performer in chamber music concerts, getting a great status in European countries. In 1937 to 1939, he was the movie director of cello research in the Ecole Regular. It was frequently stated that he became an agreeable rival along with his modern, cellist Paul Tortelier, and after going to a Tortelier concert remarked to him, “Paul, I want I had developed your left hands.” Tortelier responded, “Pierre, I want I had developed your correct.” To Fournier, the trick of his great correct hands (i.e., bowing technique) was keeping the elbow high, keeping the bow securely, but permitting the hands and arm to go fluidly. He recommended the Sevcik violin bowing research for his cello college students. In 1941, he joined up with the faculty on the Paris Conservatoire, but through the battle years, his concert touring profession was impossible. After the battle was over, though, could job application and he quickly increased in popularity and worldwide stature. His previous audience discovered that he had grown up in creative depth. Hungarian violinist Joseph Szigeti, conference Fournier in rehearsals for the 1947 Edinburgh Celebration appearance, hadn’t noticed him for over a decade and composed that he was “immensely impressed by the Apollonian beauty and poise that his playing acquired acquired within the intervening years. Szigeti, Fournier, violist William Primrose, and pianist Artur Schnabel produced a piano quartet in those years and provided some fabled concerts of which they performed practically all of Schubert’s and Brahms’ piano chamber music. Unfortunately, the BBC acetate surroundings checks of the cycle were permitted to deteriorate and also have been dropped. Fournier produced his initial U.S. tour in 1948. His chamber music partner Artur Schnabel spread the term among cellists, various other music artists, and critics that these were to be seen by a fun new cellist. THE BRAND NEW York and Boston critics had been ecstatic. He previously to stop his Conservatoire post due to his growing concert profession; he made an appearance in Moscow for the very first time in 1959. Commentator Lev Grinberg composed that he was significant for an enchanting interpretation; clearness of form; stunning phrasing; and clean, wide bowing all “targeted at revealing this content.” He previously a wide repertoire, including Bach, Boccherini, the Romantics, Debussy, Hindemith, and Prokofiev. Composers Martinu, Martinon, Martin, Roussel, and Poulenc all composed functions for him. He previously a standing Fri night day to privately play chamber music with Alfred Cortot, the eminent French pianist, of which they could be went to by music artists like Jacques Thibaud. In 1953, he became a Chevalier from the Legion of Honor and was advertised to official in 1963. In 1972, he retired to Switzerland and offered expert classes. He still offered concerts, even while past due as 1984 when he was 78, along with a London critic praised the fluency of his playing and his solid and solid left-hand technique.

Quick Facts

Date Of Birth June 24, 1906
Died January 8, 1986, Geneva, Switzerland
Profession Cellist
Education Conservatoire de Paris
Parents Léopold Morice
Awards Grammy Award for Best Chamber Music Performance
Music Songs Cello Suite no. 6 in D major, BWV 1012: I. Prelude, Cello Concerto No. 9 In B Flat Major, G 482: I. Allegro Moderato, J.S. Bach: Cello Suite No.1 In G Major, BWV 1007 - 1. Prélude, Haydn: Cello Concerto In C Major, Hob.VIIb:1 - 3. Finale, Cello Concerto In E Minor, RV 40: II. Allegro, Sonate pour violoncelle et piano No. 3 in A Major, Op. 69: I. Allegro, ma non tanto, Orgelbu¨chlein, Sonata for Arpeggione and Piano in A Minor, D. 821: I. Allegro moderato, Piano Quartet No. 2 in G Minor, Op. 45 - I. Allegro Molto Moderato, Élégie, Op24, Schelomo, Berceuse, Op. 16, Sonnenhymne, Cello Suite no. 6 in D major, BWV 1012: VI. Gigue, Sonate pour violoncelle et piano No. 3 in A Major, Op. 69: II. Scherzo. Allegro molto, Beethoven: Piano Trio No.7 In B Flat, Op.97 "Archduke" - 3. Andante cantabile, ma però con moto - Poco più adagio, R. Strauss: Don Quixote, Op.35 - 11. Variation 8, Allemande, Beethoven: Piano Trio No.7 In B Flat, Op.97 "Archduke" - 4. Allegro moderato, Don Quixote, op. 35: Variation VIII : Die Fahrt auf dem verzauberten Nachen, 12 variations sur « Ein Mädchen Oder Weibchen », Op. 66, Sonate pour violoncelle et piano No. 3 in A Major, Op. 69: III. Adagio cantabile - Allegro vivace, J.S. Bach: Suite For Cello Solo No.1 In G, BWV 1007 - 5. Menuet I-II, Suite für Violoncello solo No. 1 G-Dur, BWV 1007: Courante, Franck: Sonata In A Major For Violin & Piano, FWV 8 - Transcription for Cello and Piano - 1. Allegretto ben marcato, Cello Suite no. 2 in D minor, BWV 1008: I. Prelude, El cant dels ocells, Cello Sonata in D Minor: I. Prologue, Suite für Violoncello solo No. 2 d-Moll, BWV 1008: Courante, Cello Suite No. 3 in C Major, BWV 1009: Allemande, Don Quixote, op. 35: Variation VII : Des Ritt durch die Luft, Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande
Albums Pierre Fournier: Cello, 6 Suiten für Violoncello Solo (Pierre Fournier), Beethoven: Triple Concerto / Brahms: Double Concerto, Suites for Solo Cello, The Music for Cello and Piano, Dvorák / Elgar: Cello Concertos, Pierre Fournier - Aristocrat of the Cello, Konzert für Violoncello und Orchester h-moll, op. 104, Cello Encores (Mono Version), Suites pour Violoncelle (disc 2) / Paul Tortelier, Double" Concerto / Tragic Overture, Lalo & Saint-Saëns: Cello Concertos, Konzert für Violine, Violoncello und Orchester a-moll, op. 102, Piano Trios, Brahms: Double Concerto / Beethoven: Triple Concerto, Bach: 6 Cello Suites BWV 1007, 1008, 1009, 1010, 1011 & 1012, Masterpieces for Cello, Vol. 3, Masterpieces for Cello, Vol. 9, Masterpieces for Cello, Vol. 1, Beethoven: Concerto pour violon, violoncelle et piano, Op. 56 (Stereo Version), Masterpieces for Cello, Vol. 5, Beethoven: Sonate & Variations pour violoncelle et piano (Stereo Version), Pierre Fournier / Orchestre de la Suisse Romande / Ernest Ansermet spielen: Edouard Lalo: Concerto en ré mineur pour violoncelle et orchestre, Vivaldi: Cello Sonata, RV 40 (Transcr. for Cello and String Orchestra, Mono Version), Vintage Cello Classical Greats, Great Concertos Vol. 7, Cello Concerto / Coronation Te Deum / The Twelve / Variations on a Theme by Hindemith / Excerpts from Façade Suites, Haydn: Concerto No. 2 in D Major, Hob. VIIb/2 (History Records - Classical Edition 3 - Digitally Remastered 2011), Pierre Fournier / Kölner Rundfunk-Sinfonie-Orchester / Hans Rosbaud play: Edward Elgar: Cello Concerto, op. 85, Symphony No. 1 / La jolie fille de Perth / Jeux d'enfants / Namouna / Norwegian rhapsody / Cello concerto, Sergiu Celibidache, Vol. 2, Johannes Brahms: Dos Sonatas para Cello y Piano, Giants of the Cello, Vol. 4, Brahms: Double concerto pour violon et violoncelle, Op. 102 & Variations sur un thème de Haydn, Op. 56a (Mono Version), Beethoven: Sonates pour violoncelle et piano (Les indispensables de Diapason), Saint-Saëns: Cello Concerto No. 1 - Lalo: Cello Concerto in D Minor - Bruch: Kol Nidrei (Mono Version), Das Schaffen Johann Sebastian Bachs: Serie I. Kammermusik (Mono Version), Beethoven: Sonates pour violoncelle et piano & Variations sur un thème de la Flûte enchantée (Stereo Version), Beethoven: Sonates pour violoncelle et piano Nos. 1 & 2 (Mono Version), Schumann: Concerto pour violoncelle, Op. 129 - Tchaikovsky: Variations sur un thème rococo, Op. 33 (Mono Version), Dvorák: Concert for Cello and Orchestra in B Minor, Op. 104, Pierre Fournier / Orchestre de la Radio Suisse Italienne / Hermann Scherchen play: Antonín Dvorák: Violoncellokonzert (1962), op. 104, BV 191, Pierre Fournier e Jean Fonda, Beethoven, PIERRE FOURNIER PLAYS CELLO SONATAS : DEBUSSY & MARTINU & SHOSTAKOVICH, Lalo: Cellokonzert / Saint-Saëns: Cellokonzert / Bruch: Kol Nidrei / Bloch: Schelomo, Brahms: Double concerto pour violon et violoncelle, Op. 102 & Ouverture tragique, Op. 81 (Stereo Version), Vivaldi - Bach - Purcell - Mozart - Mendelssohn, Lucerne Festival Historic Performances: Pierre Fournier, Don Quixote / Tot und Verklärung, Schumann: Piano Trio, op. 63 / Schubert: Piano Trio, D. 898, op. 99, Luigi Boccherini: Cello Concerto No. 9 In B Flat Major, G 482 - Antonio Vivaldi: Cello Concerto In E Minor, RV 40
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