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Pierre-Alexandre Monsigny

Following the death of his father Monsigny had to supply for his family. In his function for the Clerge de France he fulfilled the Duke of Orleans who adored theatrical items. Through this acquaintance using the duke, Monsigny fulfilled Colle and Carmontelle whom he collaborated with on many light operas. He previously begun to understand the violin in his youngsters and was put into charge of arranging the theatre for the duke. Monsigny didn’t feel adept as of this job and became the pupil of Gianotti the double-bassist in the orchestra from the Opera. “Les aveux indiscrets” (1759) was his 1st score as well as the debut was effective. In colaboration with Sedaine Monsigny made up “On ne s’avise jamais de tout” (1761) which founded some effective collaborations. Though mentioned for his lighter comic operas Monsigny could surprise the target audience sometimes with such comic operas as “Le roy et le fermier” (1762) seen as a depth and exclusive conventions. The light operas which he made up also became mentioned for their interpersonal and politics commentary. The just Grand Opera which he made up was “Aline, reine de Golconde” (1766). By 1768 Monsigny is at the employ from the Duke of Orleans under whose patronage he made up several operas which unified episode and music. After his structure of “Felix ou L’enfant trouve” (1777) Monsigny no more made up. Though the occasions of trend deprived him of his means and particular pensions, his name and place in the annals of music, especially in France, had been restored. Monsigny was granted the Chevalier from the Legion d’honneur after becoming called the Inspector of Musical Education. Tendencies within his music exhibited a progresive design especially in his creative instrumentation and his usage of reduced 7th chords in the elevation of dramatic occasions. Within his compositions a exhibited feeling for color and psychological emphasis within this content from the orchestra was obvious. The mix of these capabilities produced Monsigny a precursor towards the French comic opera composers like Auber, Bizet and Massenet.

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