Putting it simple, Piero Pelù is among the most significant Italian rock and roll singers because the ’80s and something of the very most charismatic personalities to attain the top from the graphs. As an enchanting fresh influx bohemian and muscular rocker with Litfiba and a successful single artist, Pelù handled a variety of musical designs, from gothic to market rock and roll, from gypsy to Mediterranean noises, without ever shedding his strong creative identity — thanks a lot also to some voice that’s simply unmistakable. Blessed in Florence on Feb 10, 1962, Pelù debuted in 1980 because the business lead vocalist of Mugnions, an underground action inspired by both punk and brand-new wave. Following the split from the music group after just a couple concerts, he became a member of Litfiba, whose initial gig occurred on Dec 8, 1980, your day John Lennon was shot inactive. Within the first section of their profession Litfiba released a couple of albums — including their masterpiece, 17 Re — generally regarded cornerstones from the Italian brand-new wave. Then, following the discharge of Pirata in 1989, their audio moved toward a far more visceral stadium rock and roll, shedding in subtlety but attaining in mass reputation. Albums such as for example Terremoto and Spirito transformed Litfiba in to the most effective rock band of the generation. Through the years, though, the friction between Pelù and guitarist Ghigo Renzulli grew to this degree that in 1999, following the launch of Infinito, the previous quit the music group. Within the same yr Pelù was co-protagonist with Ligabue and Jovanotti — beneath the moniker LigaJovaPelù — from the charity solitary “Il Mio Nome è Mai Più,” and he also dueted with Mina for the monitor “Stick with Me (Stay),” contained in her recording Olio. His debut recording, Né Buoni Né Cattivi, premiered in 2000 and, led by singles such as for example “Toro Loco” and “Bomba Boomerang,” offered perfectly. Its design, including Mediterranean components and solid rock and roll & roll constructions, was known as by its writer “Med-rock.” 2 yrs later it had been the switch of U.D.S. — L’Uomo Della Strada, a far more commercial and digital affair that included a duet with Anggun, “L’Amore Immaginato,” adopted in 2003 from the EP 100% Live. Even more personal and much less politics, 2004’s Soggetti Smarriti was the last section from the so-called “survivors trilogy,” summed up in 2005 from the anthology Presente, his last record with Warner. Within the same yr he cured the discharge of Litfiba’s ’99 Live, documented during his last tour using the music group. After shifting to Sony BMG, in 2006 Pelù released In Faccia, an easier and more immediate record, and in 2007 MTV Storytellers, a live recording recorded for it show. Within the same yr he became movie director of Fi.Esta., the event including all of the summer season events of the town of Florence. His autobiography, Perfetto Difettoso, co-written with journalist Massimo Cotto, was released in 2000.