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When Trevor Payne, the Barbados-born founder and director from the Montreal Jubilation Gospel Choir, heard the singing of South African vocalist and songwriter Phuzekhemisi (delivered Johnston Zibakwakhe Mnyandu), he was therefore impressed that he instantly envisioned a cooperation between his choir and Phuzekhemisi and his group. Their joint efficiency at St. Adam United Cathedral in Montreal was documented and released as Jubilation VII: Hamba Ekhaya. Phuzekhemisi was no stranger to music. As John Bhengu, he previously built his popularity being a finger design acoustic guitarist in the roads of Durban, Johannesburg, through the 1950s. Switching towards the guitar and supposing his current name in the past due ’60s, he continuing to pioneer the Zulu-traditional music referred to as maskandi. A indigenous of the tiny South African community of Maskanda, Phuzekhemisi released his musical profession soon after relocating to Johannesburg. After creating a following being a road musician, he was used beneath the wing of Welcome Bhodloza Nzimande, place supervisor of Ukhozi FM (previously Radio Zulu). With Nzimande’s encouragement, he could secure a documenting contract in the first ’60s. His debut record, Imbizio, which mixed traditional maskandi and township jive, marketed a lot more than 100,000 copies and experienced for double-platinum position.

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