Philippe Gaubert was initially and foremost among the principal exponents from the France flute college, and throughout his lengthy profession he further distinguished himself being a conductor and composer. Delivered to a cobbler who was simply a good beginner clarinetist, young Gaubert began personal lessons with the fantastic French flute pedagogue Paul Taffanel, and Gaubert became a member of him in Paris when Taffanel was called to a teaching post on the Conservatoire in 1893. Gaubert had not been however out of his teenagers when he had taken on the content of first seat flute on the Concerts du Conservatoire as well as the Paris Opéra. He examined structure with Raoul Pugno and became an helper conductor on the Concerts du Conservatoire from 1904. Using the outbreak of Globe Battle I, Gaubert was mobilized in to the France Military and fought on the Fight of Verdun, getting the Croix de Guerre. Discharged due to chronic bronchitis, Gaubert came back towards the Conservatoire where he was called a teacher of flute; in 1918-1919, he produced his 1st recordings as well as the just types where Gaubert is definitely captured in the part of flute soloist, though like a conductor his profession on records extended into the past due ’30s. Gaubert was called musical director from the Paris Opéra in 1920 and eventually started to teach in the École Normale de Musique. Although Gaubert used the flute for any half hour before every lesson given before end of his teaching profession, the needs of his numerous commitments impacted his flute technique and he ceded his flute teaching placement in the Conservatoire to Marcel Moyse. In 1930, nevertheless, Vincent d’Indy yielded his personal post as innovator of the performing course to Gaubert, who held it until moving the baton to Charles Münch in 1938. Gaubert was still performing using the Opéra when it had been evacuated to his hometown of Cahors in June 1940, it came back to Paris by the end of the summertime. Gaubert continued to be unflappable and positive even when confronted with the Second Globe War, but passed away, suddenly, of the stroke simply hours before he was to consider the podium to business lead the premiere of his ballet Le chevalier et la demoiselle. Gaubert was a weekend composer who published, among his 80 roughly works, several items for flute which have become a significant area of the flute repertoire. Despite his prominence like a conductor and soloist and having remaining a nice bequest of recordings as conductor, it really is his compositions that Gaubert is most beneficial known in posterity. They may be graciously written, completely idiomatic for the flute, and demonstrate a understand of French impressionist harmonic vocabulary despite the fact that they have a tendency to absence style in formal advancement and, to some extent, taste.