Illustrator Phil Hays created some seminal blues and rock and roll & move LP addresses in the first ’70s, employing evocative watercolors to fully capture the regal decadence of performers including Billie Vacation and Bessie Smith. Delivered March 14, 1931, in Sherman, TX, Hays spent nearly all his adolescence in Shreveport, LA, signing up for the U.S. Atmosphere Power upon graduating senior high school. In 1952 he signed up for Pasadena’s Artwork Center University of Style, relocating to NEW YORK three years afterwards. His free-flowing however detailed watercolors gained Hays regular freelance work through the entire formative many years of his profession, so that as his forces of interpretation grew better, he earned see alongside competitors like Robert Weaver and Jack port Potter for popularizing a far more expressive and much less literal type of illustration that previously well-known in journals and other mass media. By 1957 Hays was teaching at New York’s College of Visible Arts while showing up frequently in the web pages of Esquire, Cosmopolitan, and McCall’s. He also recognized marketing commissions from Coca-Cola, but with the middle-’60s alienated some potential customers by steering his function into darker, even more solemn territory. This process proved just what Columbia Information wanted since it reissued traditional blues periods from performers like Vacation and Smith, and Hays’ addresses stay iconic representations from the performers involved. He returned towards the Artwork Center University of Style in 1979 to provide as the school’s chairman, retiring from the positioning in 2002. Hays passed away Oct 24, 2005, at age 74.