Phil Darois has moved from tuba to contrabass to new-fangled electric powered bass in his unwavering dedication to providing bottom-end music meat for a number of genre repasts. He continues to be associated with a number of different types of groupings in New Orleans jazz by itself, including brass rings and industrial Dixieland, pretty good for the northerner blessed in Massachusetts. Darois shouldn’t be regarded a Yankee, nevertheless: he spent a few of his formative years in Charlotte, NC. He performed in regional combos in both Boston as well as the last mentioned town as his research had taken him southward, ultimately winding up at Loyola School in New Orleans. Pursuing provider in the Military, Darois proved helpful in some symphony orchestras, dance rings, and military rings, playing a different repertoire in each kind of group. Through the past due ’40s he resided in New Orleans and gigged and documented with both Leon Prima and Louis Prima — this R&B may be regarded the high stage on his high temperature or enthusiasm index, ensuing collaborations including dipping in to the exceedingly mainstream Pete Fountain and a longer residency on the Roosevelt Resort in the Peter Toma Orchestra. Through the ’60s the Columbia Images film studio made a documentary about New Orleans, and Darois was among the music artists chosen to surface in it.