Hailing in the rocky shores of America’s elder Portland (Maine), psychedelic songsmiths Phantom Buffalo started their job in 1998 as the Ponys, a name they utilized until 2004 whenever a dispute using the Chicago post-punk band of the same name triggered these to rechristen themselves. Led by dueling vocalist/guitarists Jonathan Balzano-Brookes and Tim Melts away along with fellow guitarist Philip Willey, bassist Sean Newton, and drummer Joe Domrad, the group ultimately released its debut, Shishimumu, in 2002 on local indie Time-Lag Information. The album’s heady mixture of Moog-laden psych drones, Byrdsian twang, and literate indie pop discovered its way over the Atlantic and captured the interest of Britain’s Tough Trade Information, which reissued the record in 2005 beneath the band’s fresh name. An EP and second full-length known as Try the Trees adopted in 2007 on Time-Lag as the music group delved deeper into its growing globe of obscure melodic pop tracks about pets, quirky heroes, and technology fiction. Musically, Phantom Buffalo take up a place not really dissimilar from vintage-’60s surrealists like Of Montreal, the Essex Green, while others in the Elephant 6 Collective mildew and indeed possess distributed the stage with some of those works. Their penchant for experimental acoustic guitar pop reached its zenith on 2010’s Concrete Postcards with Owl Colors, released by French indie Microcultures. Romantic in shade but wide in range, the recording was recorded mainly live in only 18 hours and it is their most completely noticed collection to day. In 2012 Phantom Buffalo embarked on a far more ambitious task, one which, in retrospect, they appeared headed for those along. Their 4th release, an idea album known as Tadaloora, includes a set of colourful vignettes occur a mythical globe from the same name and was advertised alongside an cartoon video adventure video game produced by the band.