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Peter Mattei

Peter Mattei emerged in the first 1990s as you of Sweden’s most significant adolescent baritones. After his musical research in Stockholm, he debuted in 1990 in Stockholm in Mozart’s opera La Finta giardiniera. In 1992 he sang in the tiny known opera Falstaff by Salieri, and in the 1994-1995 time of year from the Royal Stockholm Opera he sang Figaro in Mozart’s Relationship of Figaro for the very first time. He is becoming known as among the finest Mozart baritones. He sang Don Giovanni for the very first time in the Gothenburg Opera Home in the 94-95 time of year, and debuted in Britain in the same part in fall months of 1995, in the Scottish Opera. He was quickly asked back again to sing Guglielmo in Così lover tutte. His 1st appearance in the Salzburg Event is at Fidelio, performing Don Fernando beneath the baton of Sir Georg Solti. Claudio Abbado chosen him as the bass soloist in Bach’s St. Matthew Enthusiasm using the Berlin Philharmonic Orchestra. Additional tasks in his growing repertory consist of Papageno in The Magic Flute, Lionel in Tchaikovsky’s Joan of Arc, Papageno in The Magic Flute, and Harlekin in Richard Strauss’ Ariadne auf Naxos. In the 1999-2000 time of year he again got the component of Figaro, this time around in Rossini’s Barber of Seville, and came back to Tchaikovsky in the name part of Eugene Onegin, and in 2001 was planned to consider the part of Figaro’s antagonist, the Count number, in Mozart’s opera, in the Salzburg Opera, so that as his Metropolitan Opera debut in 2002. He’s energetic on the concert stage. As well as the St. Matthew and St. John Passions of Bach he sings the Lyric Symphony of Zemlinsky, as well as the Mahler music cycles Des Knaben Wunderhorn and Lieder eines Fahrenden Gesellen. He offers documented Sibelius’ Kullervo and a couple of music by Stenhammar.

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