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Perucho Figueredo

Attorney and landowner Perucho Figueredo (name Pedro Felipe Figueredo con Cisneros) was a primary participant in the 19th hundred years Cuban level of resistance against Spain and a talented composer, poet, and musician. Elevated on a glucose plantation, Figueredo gained his law level from the School of Madrid in 1844, but didn’t practice until he resolved in Havana in 1856, where time he added bits of music and content to the paper La Piragua. When his dad died, Figueredo came back to Bayamo to manage the family property or home. He turned down the large taxation upon landowners from regional specialists representing Spanish passions, and this gained him 14 a few months of home arrest. During this time period, Figueredo constructed arduously, home-schooled his kids, and secretly conspired to overthrow the Spanish-backed Cuban federal government. Figueredo and his co-conspirators begun to organize in earnest in 1867, plus they asked Figueredo to compose a thing that would serve as “our ‘Marseillaise’.” Figueredo constructed the tune “La Bayamesa” and initial delivered it prior to the Comité Revolucionario de Bayamo on August 15, 1867. Repeated through the Corpus Christi festivities in Bayamo of June 1868, “La Bayamesa” quickly captured the interest of regional Spanish specialists. It might be too little, as well past due, as an military of rebels beneath the management of Figueredo required the city of Bayamo on Oct 20. Nevertheless, by January 1869 a Spanish pressure, 2,000 solid, arrived to consider it back again, prompting Figueredo to burn off most of his house, including his music manuscripts, in an enormous bonfire arranged atop both pianos in his manor home. For nearly 2 yrs, Figueredo and his fellow refugees were able to elude catch, but on August 15, 1870, troops discovered Figueredo concealing inside a forest. Convicted of treason, he was carried out two days later on. Weakened and sick from his lengthy months like a fugitive, Figueredo requested a carriage to be studied to his execution, as he was struggling to march. The government bodies allowed him to trip a donkey rather, prompting a quotation from Figueredo right now popular in Cuba: “No sera un primer redentor que cabalga sobre un asno” (“I’ll not need been the first redeemer who has already established to ride with an ass”). Since its standard adoption in 1902, “La Bayamesa” offers offered as the Country wide Anthem from the Republic of Cuba. So far as is well known, scholars haven’t investigated additional music of Figueredo, only a small amount from it as might be extant.

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