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Peggy Wood

b. Margaret Solid wood, 9 Feb 1892, Brooklyn, NEW YORK, NY, USA, d. 18 March 1978, Stamford, Connecticut, USA. After learning performing with operatic soprano Emma Calvé, Solid wood began singing within the chorus of musical comedies, before steadily accumulating to small functions. Her Broadway debut is at Victor Herbert’s Naughty Marietta (1910), after that appeared in a number of other shows prior to making her discovery as Ottilie in Maytime (1917), where the duet she sang with Charles Purcell, Sigmund Romberg’s ‘Will You Keep in mind?’ became a big success (and it is frequently known because of it 1st collection: ‘Sweetheart, sweetheart, sweetheart!’). Solid wood’s dazzling stage existence brought her a reliable flow of great parts in takes on and musical comedies not merely on Broadway but additionally in London’s Western End. Most widely known of most her London jobs was when she performed Sarah Millick in Noël Coward’s Bitter Lovely (1929). Her big tracks had been ‘Zigeuner’ and ‘The Bitter Lovely Waltz’ (another tune known frequently by its initial range: ‘I’ll Discover You Once again’). On Broadway once again, she is at the initial American ensemble of Coward’s Blithe Nature. Later, now focusing on nonmusical roles, Timber played mom in the popular American tv dilemma series Mama aka I RECALL Mama (1949-57). Timber had made movies from 1919 onwards, including Question Of Females (1929), THE PROPER TO RESIDE (1935), Jalna (1935, from Mazo De La Roche’s bestselling book), A Superstar EXISTS (1937), The Housekeeper’s Girl (1939), Wonderful Doll (1946, which starred Ginger Rogers as Initial Female Dolly Madison), Fantasy Female (1948, starring Betty Hutton), as well as the Tale Of Ruth (1960). Just within the last of the was Solid wood’s part anything apart from small, but she composed for this comparative anonymity with her last display role. Although just on display for a short while, her overall performance as Mother First-class within the film edition of Richard Rodgers and Oscar Hammerstein II’s The Audio Of Music (1965) brought her an Oscar nomination, despite the fact that her singing around the film’s soundtrack of ‘Climb Ev’ry Hill’ was dubbed by Margery McKay.

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