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Pazop were an early-’70s progressive rock and roll group with some jazz-fusion tendencies from Belgium. Though their music was beyond the normal, they were by no means able to launch an album throughout their brief life time. Pazop was produced by the end of 1971 by vocalist and flautist Dirk Bogaert, keyboardist Frank Wuyts, violinist Kuba Szczepansky, bassist Patrick Cogneaux, and drummer Jacky Mauer. Wuyts and Szczepanski acquired just left intensifying rock-band Wallace Collection, Wuyts acquired previously been associated with Bogaert, Cogneaux, and Mauer have been in another short-lived prog music group, Waterloo. Cogneaux acquired also been an associate of Arkham, an organization that included potential associates of Magma and Univers No, while Sczcepansky, a classically educated musician blessed in Poland, performed in the Brussels Opera Philharmonic Orchestra for the few years before embracing rock and roll with Wallace Collection in 1970. Also before that they had chosen a name, the brand new group contacted Wallace Collection’s label, EMI, and even though the record firm did not indication the group, they provided them a two-day studio room program to record an improved demonstration. The four-song demonstration was in a method far more industrial than their regular sound, which experienced influences as varied as Kilometers Davis, 20th hundred years classical music, intensifying rock organizations like Ruler Crimson and Caravan, and Frank Zappa. With the brand new demonstration Szczepanski and Mauer going to Paris going to up every record label there for any contract, however they experienced no success. In addition they finally developed a name for themselves, Pas Op, Flemish for “Caution” however the spelling was quickly transformed to Pazop. They finally got a agreement with maker Luigi Oglival in March of 1972, who was simply able to have them authorized to CBS as well as the Barclay label. The music group went in to the Herouville Studio room in France in July 1972 to record the recording Psychillis of the Lunatic Genius. The group also performed several gigs on the Gibus-Club in Paris, which brought them some exceptional press, and also other displays in France and Belgium. On the other hand, close to the end of this year, Barclay turned down their album to be too noncommercial, and thought we would discharge among the previously demos as an individual instead, much towards the group’s chagrin. Oglival, who understood he wouldn’t recoup the studio room costs, fell the music group aswell, reneging on his agreement as well as keeping the professional tapes. In 1973, the group was employed by pop musician Sylvain Truck Holme to supply modern rock and roll adaptations of varied classical parts by Tchaikovsky, Dvorák, Mozart and Verdi. Truck Holme made a decision to co-produce a fresh record by Pazop, and booked them in the beginning Studio room in Belgium in the past due summer months of 1973. Truck Holme contacted many record businesses, but once again the album had not been industrial more than enough. The group continuing touring Belgium and France until July of 1974 before contacting it quits. Their incapability to get more than enough gigs also to discharge either of their LPs acquired left them economically and psychologically strapped, plus they split for more lucrative groups. Their expert tapes sat inside a table drawer for a long time. Pazop’s two albums, without the four industrial demos, had been finally released on Compact disc by Musea in 1996.

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