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Frequently in comparison to Matchbox 20, 3 Doors Straight down, as well as the Verve Pipe, Pay the lady epitomizes the slicker, more refined, even more polished side of alternative pop/rock in the 21st century. The Cincinnati, OH-based music group suits listeners who like their rock and roll laced with a whole lot of pop; Pay out the Girl’s tuneful, extremely melodic work offers solid power pop intuition. But for almost all their polish and gloss, Spend the lady isn’t lacking any advantage. The Midwestern clothing can be fronted by lead vocalist Jason Allen Phelps, who began performing single gigs around Cincinnati in the past due ‘90s (when he frequently followed himself on classical guitar in coffeehouses, night clubs, and book shops). After Phelps grew sick and tired of playing by himself, he determined that he needed the camaraderie of the band and shaped Pay the lady in 2001. The band’s name was type of an internal joke; when Phelps and his fellow alt-rockers had been poor and battling along with a waitress would deliver a expenses, they would take a look at each other and state, “Just do it, pay the lady.” Spend the Girl’s unique lineup included drummer Josh Seurkamp and bassist Mike Georgin, who got used the Southern Ohio rings On the Rhine and Plow on Boy. However when Seurkamp and Georgin finished up departing Pay the lady, a fresh lineup was shaped — one which contains Phelps on lead vocals and acoustic guitar, Tag Cooper (never to become puzzled with the Los Angeles-based journalist/politics commentator Marc Cooper) on acoustic guitar and history vocals, Dave Harris on acoustic guitar, Drew Phillips on bass, and Greg Braun on drums. With this five-man lineup set up, Pay the lady released a five-song EP and made a local hype around Cincinnati (generally attracting a generally female market). Pay out the Girl’s EP captured the eye of TVT Information, which agreed upon the music group in early 2002 and included their melody “Clueless” over the Swimf@n soundtrack (released in August of this year). It had been also in 2002 that Spend the Girl seduced the eye of Colombian rock and roll en español/Latin pop superstar Shakira, who employed them as an starting act on a global arena tour. For some listeners, Shakira and Spend the Girl may seem to become an unlikely mixture — Shakira attracts a mostly Latin viewers, and she performed in Spanish solely ahead of 2001’s Laundry Assistance (her initial English-language record). You might expect a Latin work to open up for Shakira. However in reality, Shakira wanted an English-speaking, non-Latin rock and roll action for that tour, and she made a decision that Spend the lady was befitting the job. Therefore after a minimum of per year of playing little night clubs within the Cincinnati region, Pay the lady suddenly discovered themselves executing in huge arenas and stadiums in various countries. In March 2003, TVT released Pay out the Girl’s initial full-length record, a self-titled work that includes the radio-friendly one “Freeze.”
