Pavel Lisitsian may be the son of the mine employee and, though he sang his initial solos in cathedral at age 9, he started employed in the mines when he finished senior high school. At this if nineteen, he visited Leningrad to are welder; at exactly the same time, he got classes in the faculty of music. 2 yrs later on, he became a soloist in the Youngsters Opera, performing Fiorello in Il barbiere di Siviglia; in 1935 arrived his debut in the Leningrad Maliy Opera Theatre. After singing for quite some time using the opera business at Erevan, Armenia, he was noticed in Moscow as the business was on tour. In 1940, he debuted in the Bolshoi Theater as Yeletsky in Tchaikovsky’s The Queen of Spades. Quickly Lisitsian volunteered to amuse the soldiers during World Battle II, giing over 500 shows, sometimes singing 3 or 4 times per day. His visual appearance and high lyric baritone tone of voice produced him an excellent preferred and he was quickly singing all the leading lyric baritone assignments on the Bolshoi and various other major opera homes in the Soviet Union. As well as the regular Russian repertoire including every one of the important baritone assignments in the Tchaikovsky and Rimsky-Korsakov operas, Lisitsian also sang Valentin in Faust, Germont in La Traviata and Escamillo in Carmen. Due to his exceptional musicianship he was popular for most premieres, and he made assignments in about forty operas, including Shaporin’s The Decembrists and Prokofiev’s Battle and Tranquility. He continuing his curiosity about Armenian opera, creating the name function in Tchukhatjian’s Tsar Arshak II. As travel became much less limited in the Soviet Union, he appreciated great achievement in Italy, Sweden, Denmark, Poland, the U.S., Canada, and Japan. It had been throughout a recital tour from the U.S. that he produced his Metropolitan Opera debut on March 3, 1960, as Amonasro in Aida. However the critics respected his musicianship, the general public was much less enthusiastic, because they were utilized to the better voices of Warren and Merrill within this function. In 1966, Lisitsian retired in the opera stage but continuing to provide many concerts. His repertoire is normally reported to possess included over 1,000 music in twenty-five dialects. His two daughters and his kid would sometimes sign up for him for shows from the Brahms Liebeslieder Waltzes. Also a tone of voice instructor, he was a solid influence on another era of Russian performers. Lisitsian was produced a People’s Designer from the Soviet Union in 1956. His sister-in-law was mentioned mezzo-soprano Zara Dolukhanova.