Over time of study like a philosophy student, Borkovec studied music with Foerster and Kricka and attended Suk’s learn class in the conservatory. These music artists affected him in his early lyrical, passionate style. He quickly developed a method produced from the neo-classicism of Stravinsky, Hindemith and Honegger. The best possible examples of this era are his non-et, Symfonietta, and Concerto Grosso 6. They are designated by his sensitive rating and soloistic component writing. Furthermore to his instrumental composing, he composed psychological functions for stage regarding war, politics turmoil as well as the pursuit of independence and justice. Borkovec’s old age were specialized in teaching like a professor of structure at Prague Academy of Music.