Paulo César Feital

Perhaps one of the most important Carioca poets, Paulo César Feital also became a prolific and creative popular tune composer with an increase of than 200 functions. Nominated for the Clear Award for the music “Dias de Lua” (created with Cláudio Cartier/Marco Aurélio; a tune included on the soundtrack towards the cleaning soap opera Direito de Amar as well as the series Araponga, on Television Globo), “40 Anos” (created with Altay Veloso), “Flamboyant” (created with Jota Maranhão), “Perfume Siamês” (created with Altay Veloso), and “Saigon” (created with Cláudio Cartier). Feital acquired his compositions documented by Don Burrows, Barry Manilow, Luz Marina, Milton Nascimento (“No Analices”), Tim Maia, Beth Carvalho (“Cinelândia,” “Saigon”), Nana Caymmi (“No Analices”), Emílio Santiago (“Saigon”), Quarteto em Cy, Cauby Peixoto, Danilo Caymmi, Alcione, João Nogueira, Leny Andrade, as well as others. As a maker, he was in charge of the Compact disc Escolas de Samba Carnaval, so that as a music movie director he worked well in the displays 15 Anos de Carlinhos Vergueiro (Copacabana Palace, Rio), Novos e Outros Traçoperating-system (with Clarisse, in the Teatro da Praia and Mistura Fina, Rio), Farmacopéia (with João Nogueira), and Filha da Pátria (with Cris Delanno, Backyard Hall, Rio). Feital experienced one of is own poems, Escravo perform Amor, converted to a track by Aidran de Carvalho and documented by Moreira da Silva on Morengueira 64 when he was just 13. In 1974, he began to pencil tunes with Cláudio Cartier. After 1977, Feital became the creative movie director from the Clube perform Samba (Rio), taking part in that capability in the displays De Amor é Bom (João Nogueira), Correntes de Aço (Roberto Ribeiro), 50 Anos de Elizeth Cardoso, 40 Anos de Elis Regina, and Viva Clara (Beth Carvalho/João Nogueira), amongst others. In 1991, his structure “Luz” (created with Altay Veloso), interpreted by Clarisse, received the South American Music Event of Foz perform Iguaçu. With Roberto Menescal, Feital published soundtracks for takes on like Subo Nesse Palco and Temporal; and with Cláudio Cartier he published the music for the documentary Colônia Juliano Moreira, interpreted by Milton Nascimento. Having created the written text and recognized the artistic path of Música nos Tempos perform Collera, he participated in the functionality with Carlinhos Vergueiro for half a year on the Ruth Escobar movie theater (São Paulo). In 1992, he produced the Companhia das Ilusões, with Clarisse, Nina Miranda, and Altay Veloso, touring the united states and documenting the Compact disc Paulo César Feital e a Companhia das Ilusões.