The voice of Paul Simpson (vocals, Mellotron, keyboards) is often as dreamy and ethereal as the music he creates. A previous keyboardist for the Teardrop Explodes, Simpson shaped the Crazy Swans with guitarist Jeremy Kelly in the first ’80s. The Crazy Swans documented live shows for legendary United kingdom DJ John Peel off in 1982; nevertheless, the band split up shortly thereafter. In 1983, Simpson collaborated with Ian Broudie (vocals, electric guitar) as Treatment. Treatment released three singles, “My Boyish Times,” “Whatever Possessed You,” and “Flaming Sword.” “Flaming Sword,” a grand synth pop story book, landed for the United kingdom charts; nevertheless, it’d be the final time enthusiasts would hear from Treatment until 1997 when Camden gathered all their singles and B-sides around the Gemstones and Emeralds Compact disc. Simpson ultimately revived the Crazy Swans, documenting the LP Bringing House the Ashes in 1988. After Kelly remaining the group, Simpson recruited Broudie for Space Blossom in 1990. Though it appeared like a Treatment reunion, Space Blossom sounded similar to Broudie’s the Lightning Seed products than some of Simpson’s earlier function. “Chocolate Bubblegum” received minimal airplay on university r / c, but Space Bloom was instantly jettisoned towards the cut-out bins, as well as the Outrageous Swans got their wings clipped once more. Afterward, Simpson started writing a reserve about the Liverpool music picture in the past due ’70s and early ’80s. In the past due ’90s, Simpson began launching ambient instrumental music as Skyray; he’s also co-written a screenplay with Echo & the Bunnymen guitarist Will Sergeant about adolescent times in Liverpool.