In the beginning an organist at Horn in Lesser Austria, Peuerl visited Steyr in Northern Austria. He was called an body organ contractor, renovator and repairer who constructed organs in the design referred to as “Praetorious”. Like a musician Peuerl gathered several instrumental functions between 1611 and 1625. In 1613 he made up a level of tunes but Peuerl is usually most important to be considered the programmer from the variance suite. (That is relatively under argument as insufficient information continues to be gathered concerning his predecessors.) The collection contains a paduana, intrada, dantz, and galliard. The Dantz offered the theme as the paduana was the closest from the three variants to the initial theme as well as the galliard and intrada had been more distant. Oddly enough Peuerl was the 1st German to utilize the Italian canzona of two melodic devices in conjunction with a continuo. The tunes which Peuerl made up seem to turn to the past because they are created by means of madrigals, ballettos and courtroom tunes.